細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
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Výsledky 1-5 z 55
Strana vi
... 本人的真面目——他首先是一位舞台經驗豐富的戲劇大師。人們愛說:有一千個演員就有一千個哈姆雷;對於評論家,我想也存在著令人眼花撩亂的一千個哈姆雷吧。可我要說:「據實以告」:《哈 姆雷》的文本與電影>一文以及 vi ◎細說莎士比亞:論文集.
... 本人的真面目——他首先是一位舞台經驗豐富的戲劇大師。人們愛說:有一千個演員就有一千個哈姆雷;對於評論家,我想也存在著令人眼花撩亂的一千個哈姆雷吧。可我要說:「據實以告」:《哈 姆雷》的文本與電影>一文以及 vi ◎細說莎士比亞:論文集.
Strana 5
... 演員,甚至是雙胞胎,來飾演孿生兄弟,但這次的導演 Ian Judge 卻只使用一個演員扮演孿生兄弟的兩個角色。雙胞胎的分辨,靠的是服裝顏色的些微差異。因此,戲中大部分時間,觀眾看到的雙胞胎既是哥哥也是弟弟——因為根本是同一人。當舞台上的其他角色顯然認錯人 ...
... 演員,甚至是雙胞胎,來飾演孿生兄弟,但這次的導演 Ian Judge 卻只使用一個演員扮演孿生兄弟的兩個角色。雙胞胎的分辨,靠的是服裝顏色的些微差異。因此,戲中大部分時間,觀眾看到的雙胞胎既是哥哥也是弟弟——因為根本是同一人。當舞台上的其他角色顯然認錯人 ...
Strana 18
... 演員謹守中庸之道:表演配合文字、文字配合表演。特別注意這一點:不可踰越了自然的中庸之道。因為任何表演過了頭就背離了它的原意。演戲的目的,從古到今,一直都好比是舉起鏡子反映自然; ............。 Suit the action to the word , the word to the ...
... 演員謹守中庸之道:表演配合文字、文字配合表演。特別注意這一點:不可踰越了自然的中庸之道。因為任何表演過了頭就背離了它的原意。演戲的目的,從古到今,一直都好比是舉起鏡子反映自然; ............。 Suit the action to the word , the word to the ...
Strana 19
... 演員,我說過了,都是精靈,已經溶入空氣之中,溶入稀薄的空氣:而正如這場沒有根基的幻景一樣,聳入雲霄的高樓、華麗的宮殿、莊嚴的廟宇、偉大的地球本身不錯,它所擁有的一切,都將消逝,就像這場虛渺的盛會逐漸隱沒,不著一點痕跡。我們這塊料子跟夢境的一樣 ...
... 演員,我說過了,都是精靈,已經溶入空氣之中,溶入稀薄的空氣:而正如這場沒有根基的幻景一樣,聳入雲霄的高樓、華麗的宮殿、莊嚴的廟宇、偉大的地球本身不錯,它所擁有的一切,都將消逝,就像這場虛渺的盛會逐漸隱沒,不著一點痕跡。我們這塊料子跟夢境的一樣 ...
Strana 20
... 演員、觀眾、乃至劇評人的複雜關係。因為在賞心悅目之餘,我們也親眼目睹了劇本的傳遞過程——從劇作家傳到導演、再傳到演員,終於傳到觀眾。在這個過程中,我們發現,劇本歷經一連串的更動;等到觀眾欣賞的時候,劇本幾乎是「不著一點[原作的]痕跡」了。3 二 ...
... 演員、觀眾、乃至劇評人的複雜關係。因為在賞心悅目之餘,我們也親眼目睹了劇本的傳遞過程——從劇作家傳到導演、再傳到演員,終於傳到觀眾。在這個過程中,我們發現,劇本歷經一連串的更動;等到觀眾欣賞的時候,劇本幾乎是「不著一點[原作的]痕跡」了。3 二 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?