細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
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Strana
... 莎士比亞說戲□莎士比亞的孿生手法□編劇者的夢魘:戲談《仲夏夜之夢》... ..... 3 17 □權力鬥爭如戲劇競賽:從演戲的觀點看《李察二世》(吳孟芳譯) .49 □從表演角度看《亨利四世上篇》哈樂與福斯塔的關係..........................
... 莎士比亞說戲□莎士比亞的孿生手法□編劇者的夢魘:戲談《仲夏夜之夢》... ..... 3 17 □權力鬥爭如戲劇競賽:從演戲的觀點看《李察二世》(吳孟芳譯) .49 □從表演角度看《亨利四世上篇》哈樂與福斯塔的關係..........................
Strana
... 莎士比亞□莎士比亞中文譯本概述:台灣篇. ....... 287 附錄:一、台灣圖書館所見莎士比亞作品中譯本書目二、喜見呂健忠新譯莎劇《馬克白》......... 295 ..... 315 三、讀卞之琳中譯《哈姆雷特》 318 四、迎接《新莎士比亞全集》..... 322 五、序楊譯《李 ...
... 莎士比亞□莎士比亞中文譯本概述:台灣篇. ....... 287 附錄:一、台灣圖書館所見莎士比亞作品中譯本書目二、喜見呂健忠新譯莎劇《馬克白》......... 295 ..... 315 三、讀卞之琳中譯《哈姆雷特》 318 四、迎接《新莎士比亞全集》..... 322 五、序楊譯《李 ...
Strana i
... 莎士比亞研究的浩瀚大海。近年來,文學觀念的轉變尤其迅速,文學研究日益豐富多元,各種理論又每每以莎士比亞為試金石,儼然形成了「莎士比亞工業」。直到今日,無論文學品味或劇場風尚如何演變,莎士比亞始終屹立不移,也一直是人文學術界的顯學。為此,研究 ...
... 莎士比亞研究的浩瀚大海。近年來,文學觀念的轉變尤其迅速,文學研究日益豐富多元,各種理論又每每以莎士比亞為試金石,儼然形成了「莎士比亞工業」。直到今日,無論文學品味或劇場風尚如何演變,莎士比亞始終屹立不移,也一直是人文學術界的顯學。為此,研究 ...
Strana ii
... 莎士比亞同好時時刻刻啟發我、激勵我,是個人學術能量的一大來源。朱立民老師在世的時候,經常給予指點,並且不吝揄揚,使後生的我深受鼓舞;今日整理舊稿,感佩前人風範,覺得特別溫馨。書中各篇,多數曾經在國內外的學術研討會宣讀,日後發表在學術期刊論文選集 ...
... 莎士比亞同好時時刻刻啟發我、激勵我,是個人學術能量的一大來源。朱立民老師在世的時候,經常給予指點,並且不吝揄揚,使後生的我深受鼓舞;今日整理舊稿,感佩前人風範,覺得特別溫馨。書中各篇,多數曾經在國內外的學術研討會宣讀,日後發表在學術期刊論文選集 ...
Strana iii
... 莎士比亞:論文集》方平國際莎士比亞協會執行委員中國莎士比亞學會會長一九○四年,正好一個世紀前,英國布拉德雷( A.C. Bradley , 1851-1935 )的《論莎士比亞悲劇》問世,所論四大悲劇,闡述充分周密,深思熟慮,有很大說服力,被視為自柯爾律治( Samuel Taylor ...
... 莎士比亞:論文集》方平國際莎士比亞協會執行委員中國莎士比亞學會會長一九○四年,正好一個世紀前,英國布拉德雷( A.C. Bradley , 1851-1935 )的《論莎士比亞悲劇》問世,所論四大悲劇,闡述充分周密,深思熟慮,有很大說服力,被視為自柯爾律治( Samuel Taylor ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?