細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
Vyhledávání v knize
Výsledky 1-5 z 55
Strana 4
... 角色以及與他們相像的人物,包括《凱撒大將》( Julius Caesar )裡的 Brutus 和 Cassius ,《哈姆雷》( Hamlet )裡的 Hamlet 和他瘋癲的自我,《奧賽羅》( Othello )裡的 Othello 和 Iago ,《李爾王》( King Lear )裡的 Lear 和他的弄臣,《馬克白》( Macbeth ) ...
... 角色以及與他們相像的人物,包括《凱撒大將》( Julius Caesar )裡的 Brutus 和 Cassius ,《哈姆雷》( Hamlet )裡的 Hamlet 和他瘋癲的自我,《奧賽羅》( Othello )裡的 Othello 和 Iago ,《李爾王》( King Lear )裡的 Lear 和他的弄臣,《馬克白》( Macbeth ) ...
Strana 5
... 角色。雙胞胎的分辨,靠的是服裝顏色的些微差異。因此,戲中大部分時間,觀眾看到的雙胞胎既是哥哥也是弟弟——因為根本是同一人。當舞台上的其他角色顯然認錯人時候,觀眾會覺得他們其實並沒有錯認。不僅如此, Judge 還用兩個演員飾演商人乙。這兩人除了戲服的 ...
... 角色。雙胞胎的分辨,靠的是服裝顏色的些微差異。因此,戲中大部分時間,觀眾看到的雙胞胎既是哥哥也是弟弟——因為根本是同一人。當舞台上的其他角色顯然認錯人時候,觀眾會覺得他們其實並沒有錯認。不僅如此, Judge 還用兩個演員飾演商人乙。這兩人除了戲服的 ...
Strana 8
... 角色高喊君權神授,一方面公然上演罷黜國王的戲碼。《威尼斯商人》( The Merchant of Venice )也許更能說明這種孿生關係。這齣戲的故事多數人耳熟能詳。威尼斯人巴薩紐( Bassanio )向猶太人夏洛( Shylock )借了三千金幣,約期三個月,以便去向貌美多金的波瑕 ...
... 角色高喊君權神授,一方面公然上演罷黜國王的戲碼。《威尼斯商人》( The Merchant of Venice )也許更能說明這種孿生關係。這齣戲的故事多數人耳熟能詳。威尼斯人巴薩紐( Bassanio )向猶太人夏洛( Shylock )借了三千金幣,約期三個月,以便去向貌美多金的波瑕 ...
Strana 28
... 評語正好點出編劇者心目中的導演角色,也暗示出兩者之間特有的緊張關係。從編劇者的觀點來看,戲劇的失敗,若非由於導演能力不足,就是由於他故意曲解劇本。這種說法的特點是,編劇者沒有想到, 錯誤也許出在他自己,他的劇本 28 ◎細說莎士比亞:論文集.
... 評語正好點出編劇者心目中的導演角色,也暗示出兩者之間特有的緊張關係。從編劇者的觀點來看,戲劇的失敗,若非由於導演能力不足,就是由於他故意曲解劇本。這種說法的特點是,編劇者沒有想到, 錯誤也許出在他自己,他的劇本 28 ◎細說莎士比亞:論文集.
Strana 31
... 角色然而,無論導演是誠實或笨拙,是謹守分寸或愛自做主張,劇本的危機並不就此結束。劇本到了演員手裏,差錯可能更大。現在就以彼德·困思( Peter Quince )執導、雅典工匠演出的戲中戲為例,加以說明。這場短劇的開場白由困思自己兼任。他向台上的看官說:我們 ...
... 角色然而,無論導演是誠實或笨拙,是謹守分寸或愛自做主張,劇本的危機並不就此結束。劇本到了演員手裏,差錯可能更大。現在就以彼德·困思( Peter Quince )執導、雅典工匠演出的戲中戲為例,加以說明。這場短劇的開場白由困思自己兼任。他向台上的看官說:我們 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?