細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
Vyhledávání v knize
Výsledky 1-5 z 57
Strana iii
... 認為論莎至此,止盡矣,從此再沒有他們發言之餘地了。事實並非如此。莎論進入二十世紀,空前活躍,百家紛陳;而今天看來,布拉德雷的論著明顯地存在著不足之處。首先,他把戲劇情節和劇中人視同真人真事;莎劇在他心目中成了「案頭之作」,而忘了它們 原是供劇團 ...
... 認為論莎至此,止盡矣,從此再沒有他們發言之餘地了。事實並非如此。莎論進入二十世紀,空前活躍,百家紛陳;而今天看來,布拉德雷的論著明顯地存在著不足之處。首先,他把戲劇情節和劇中人視同真人真事;莎劇在他心目中成了「案頭之作」,而忘了它們 原是供劇團 ...
Strana vii
... 認為這「是老天的安排。/我的皮包裡有先父的圖章。」我們也許可以說,所謂「老天的安排」無非隨口而出,一時的感觸罷了;可是最後臨到比劍,王子所說掉下一隻麻雀也與天意有關等等,那一大段話只能認為淋漓盡致地表白了一種宿命論。大陸論述丹麥王子,多半把他 ...
... 認為這「是老天的安排。/我的皮包裡有先父的圖章。」我們也許可以說,所謂「老天的安排」無非隨口而出,一時的感觸罷了;可是最後臨到比劍,王子所說掉下一隻麻雀也與天意有關等等,那一大段話只能認為淋漓盡致地表白了一種宿命論。大陸論述丹麥王子,多半把他 ...
Strana viii
... 認為上天意志的決心。......第五幕中的哈姆雷顯示出一種哀怨、淡漠的自暴自棄,似乎對於迫使自己有所行動,內心感到絕望,只想把他肩負重任交給自身之外的另一種力量。」( Shakespearean Tragedy , Macmillan , 1952 , p.145 )。 實的治學精神。「一隻麻雀掉 ...
... 認為上天意志的決心。......第五幕中的哈姆雷顯示出一種哀怨、淡漠的自暴自棄,似乎對於迫使自己有所行動,內心感到絕望,只想把他肩負重任交給自身之外的另一種力量。」( Shakespearean Tragedy , Macmillan , 1952 , p.145 )。 實的治學精神。「一隻麻雀掉 ...
Strana x
... 認為這喜劇是對友誼和愛情的歌頌,把二者相提並論。著名戲劇家葛蘭維爾—巴克說:安東尼送好友巴薩紐去貝兒芒求婚,為朋友的歡樂而感到快慰,足見他的無私精神;又表揚女主人公回到貝兒芒莊園,為了戒指與丈夫展開一場戲謔性的爭吵,「不讓來賓安東尼感到窘迫 ...
... 認為這喜劇是對友誼和愛情的歌頌,把二者相提並論。著名戲劇家葛蘭維爾—巴克說:安東尼送好友巴薩紐去貝兒芒求婚,為朋友的歡樂而感到快慰,足見他的無私精神;又表揚女主人公回到貝兒芒莊園,為了戒指與丈夫展開一場戲謔性的爭吵,「不讓來賓安東尼感到窘迫 ...
Strana 4
... 認為是莎士比亞自己認為觀眾可能對《羅密歐與茱麗葉》( Romeo and Juliet )有所批評而做的反應,證明他可以拿一齣悲劇的材料寫成一齣喜劇或鬧劇。Kenneth Muir 說過:莎士比亞之所以要困思( Peter Quince )這一票人演出這場戲中戲,目的之一「是要讓觀眾當中 ...
... 認為是莎士比亞自己認為觀眾可能對《羅密歐與茱麗葉》( Romeo and Juliet )有所批評而做的反應,證明他可以拿一齣悲劇的材料寫成一齣喜劇或鬧劇。Kenneth Muir 說過:莎士比亞之所以要困思( Peter Quince )這一票人演出這場戲中戲,目的之一「是要讓觀眾當中 ...
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?