細說莎士比亞論文集: a collection of essays國立臺灣大學出版中心, 2004 - Počet stran: 470 四個世紀以來對莎士比亞作品的詮釋註疏以及舞台演出， 論文集以學者犀利的目光，淵博深厚的修養，獨到的見解， |
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Výsledky 1-5 z 48
Strana 26
... 雖然劇本的發展沒有遵照原來的構想,這位原編劇者仍然很滿意,甚至可以說是大喜過望。第二個例子正好相反:導演幾乎一字不差的遵守原劇本,可是劇作家還是大呼冤枉。這個例子就是奧本龍設計的第二個劇本,和我們剛剛討論過的差不多是同時的創作。一方面,奧本龍 ...
... 雖然劇本的發展沒有遵照原來的構想,這位原編劇者仍然很滿意,甚至可以說是大喜過望。第二個例子正好相反:導演幾乎一字不差的遵守原劇本,可是劇作家還是大呼冤枉。這個例子就是奧本龍設計的第二個劇本,和我們剛剛討論過的差不多是同時的創作。一方面,奧本龍 ...
Strana 29
... 雖然規規矩矩完全恪遵劇本的指示,仍舊可以冒犯編劇者;實則編劇者既然容許他的劇本可以做不同的詮釋(演出) ,理當為這類錯誤負責才是。這段插曲還有更深刻的意義。明眼人注意得到,潑哥雖然承認他「弄錯」,卻對這樁錯事毫無悔意。他在結束前引的辯解之時 ...
... 雖然規規矩矩完全恪遵劇本的指示,仍舊可以冒犯編劇者;實則編劇者既然容許他的劇本可以做不同的詮釋(演出) ,理當為這類錯誤負責才是。這段插曲還有更深刻的意義。明眼人注意得到,潑哥雖然承認他「弄錯」,卻對這樁錯事毫無悔意。他在結束前引的辯解之時 ...
Strana 37
... 雖然混亂,終於一一梳理清楚,並且也以婚姻結束。此外還有精靈王奧本龍和王后泰淡雅起先發生爭執,最後言歸於好。加起来一共有四段愛情故事,全都在快快樂樂的婚樂或和諧氣氛中告一段落。一般認為,莎士比亞寫《仲夏夜之夢》,是為了替某貴族的婚禮助興捧場。3 ...
... 雖然混亂,終於一一梳理清楚,並且也以婚姻結束。此外還有精靈王奧本龍和王后泰淡雅起先發生爭執,最後言歸於好。加起来一共有四段愛情故事,全都在快快樂樂的婚樂或和諧氣氛中告一段落。一般認為,莎士比亞寫《仲夏夜之夢》,是為了替某貴族的婚禮助興捧場。3 ...
Strana 38
... 雖然可能覺得這兩段情節十分類似,戲中戲的台上觀眾,特別是賴散德,是否有所感觸,卻大有疑問。因為,在戲中戲演出的時候,只見賴散德對工匠們的差勁演技極盡諷刺和挑剔之能事。顯然他沒有考慮到,他正在看著的戲,很可能會發生在他的身上。座中的其他觀眾,也看 ...
... 雖然可能覺得這兩段情節十分類似,戲中戲的台上觀眾,特別是賴散德,是否有所感觸,卻大有疑問。因為,在戲中戲演出的時候,只見賴散德對工匠們的差勁演技極盡諷刺和挑剔之能事。顯然他沒有考慮到,他正在看著的戲,很可能會發生在他的身上。座中的其他觀眾,也看 ...
Strana 60
... 黑夜轉為鮑林伯的白晝」。雖然此時李察草率的決定早在眾人意料之中,但這再度證明他缺乏審時度勢的能力;他能駕御文字,而非雄兵。相較之下,鮑林伯是一個敏銳成熟的政客因為他本質上就是一 個比較高明的演員,對於時機的掌握 60 ◎細說莎士比亞:論文集.
... 黑夜轉為鮑林伯的白晝」。雖然此時李察草率的決定早在眾人意料之中,但這再度證明他缺乏審時度勢的能力;他能駕御文字,而非雄兵。相較之下,鮑林伯是一個敏銳成熟的政客因為他本質上就是一 個比較高明的演員,對於時機的掌握 60 ◎細說莎士比亞:論文集.
Oblíbené pasáže
Strana 255 - My liege, and madam, to expostulate What majesty should be, what duty is, Why day is day, night night, and time is time, Were nothing but to waste night, day and time. Therefore, since brevity is the soul of wit And tediousness the limbs and outward flourishes, I will be brief.
Strana 64 - O ! who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast?
Strana 19 - Our revels now are ended. These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air: And, like the baseless fabric of this vision, The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind. We are such stuff As dreams are made on ; and our little life Is rounded with a sleep.
Strana 169 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Strana 255 - Madam, I swear, I use no art at all. That he is mad, 'tis true : 'tis true, 'tis pity ; And pity 'tis, 'tis true : a foolish figure ; But farewell it, for I will use no art. Mad let us grant him then : and now remains, That we find out the cause of this effect ; Or, rather say, the cause of this defect ; For this effect, defective, comes by cause : Thus it remains, and the remainder thus.
Strana 76 - As, in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious ; Even so, or with much more contempt, men's eyes Did scowl on Richard; no man cried, God save him...
Strana 18 - Be not too tame neither, but let your own discretion be your tutor. Suit the action to the word, the word to the action, with this special observance, that you o'erstep not the modesty of nature.
Strana 363 - Farewell ! thou art too dear for my possessing, And like enough thou know'st thy estimate: The charter of thy worth gives thee releasing; My bonds in thee are all determinate. For how do I hold thee but by thy granting? And for that riches where is my deserving?