The Spectator, Svazek 2Joseph Addison, Sir Richard Steele J. Tonson, 1724 |
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Strana 13
... king Notice of it . may make the fame Obfervation of our English Blank Verfe , which often enters into our common Difcourfe , though we do not attend to it , and is fuch a due Medium between Rhyme and Profe , that it feems wonderfully ...
... king Notice of it . may make the fame Obfervation of our English Blank Verfe , which often enters into our common Difcourfe , though we do not attend to it , and is fuch a due Medium between Rhyme and Profe , that it feems wonderfully ...
Strana 21
... King Lear is an admirable Tragedy of the fame kind , as Shakespear wrote it ; but as it is reformed according to the chymerical Notion of Poetical Ju- ftice , 直 ftice , in my humble Opinion it has loft N ° 40. The SPECTATOR .
... King Lear is an admirable Tragedy of the fame kind , as Shakespear wrote it ; but as it is reformed according to the chymerical Notion of Poetical Ju- ftice , 直 ftice , in my humble Opinion it has loft N ° 40. The SPECTATOR .
Strana 25
... Kings , or affronting the Gods , in one Scene , and throwing himself at the Feet of his Mi- ftrefs in another . Let him behave him- felf infolently towards the Men , and ab- jectly towards the Fair one , and it is ten to one but he ...
... Kings , or affronting the Gods , in one Scene , and throwing himself at the Feet of his Mi- ftrefs in another . Let him behave him- felf infolently towards the Men , and ab- jectly towards the Fair one , and it is ten to one but he ...
Strana 36
... is afraid left the fhould incur the Difpleasure of the King her Father , or lofe the Hero her Lover , whilft her Attendant is only concerned left t left the fhould entangle her Feet in her Petticoat . 36 The SPECTATOR . N ° 42.
... is afraid left the fhould incur the Difpleasure of the King her Father , or lofe the Hero her Lover , whilft her Attendant is only concerned left t left the fhould entangle her Feet in her Petticoat . 36 The SPECTATOR . N ° 42.
Strana 37
... Kings and diftref- fed Heroes , ufed to make the Actors re- prefent them in Dreffes and Cloaths that were thread - bare and decayed . This Ar- tifice for moving Pity , feems as ill - con- trived , as that we have been speaking of to ...
... Kings and diftref- fed Heroes , ufed to make the Actors re- prefent them in Dreffes and Cloaths that were thread - bare and decayed . This Ar- tifice for moving Pity , feems as ill - con- trived , as that we have been speaking of to ...
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