The Spectator, Svazek 2Joseph Addison, Sir Richard Steele J. Tonson, 1724 |
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Strana 12
... Verfe in the Greek Tongue was the most proper for Tragedy : Because at the fame time that it lifted up the Difcourfe from Profe , it was that which ap- VDERST [ Ve approached nearer to it than any other 12 N ° 39 . The SPECTATOR .
... Verfe in the Greek Tongue was the most proper for Tragedy : Because at the fame time that it lifted up the Difcourfe from Profe , it was that which ap- VDERST [ Ve approached nearer to it than any other 12 N ° 39 . The SPECTATOR .
Strana 13
... fame time that every thing about them lyes in Blank Verfe . I would not however debar the Poet from concluding his Tragedy , or , if he pleases , every Act of it , with two or three Couplets , which may have the fame Effect as an Air in ...
... fame time that every thing about them lyes in Blank Verfe . I would not however debar the Poet from concluding his Tragedy , or , if he pleases , every Act of it , with two or three Couplets , which may have the fame Effect as an Air in ...
Strana 14
... fame continued Modulation of Voice , For the fame Reafon I do not diflike the Speeches in our English Tragedy that close with an Hemiftick , or half Verfe , notwithstanding the Person who fpeaks after it begins a new Verfe , with- out ...
... fame continued Modulation of Voice , For the fame Reafon I do not diflike the Speeches in our English Tragedy that close with an Hemiftick , or half Verfe , notwithstanding the Person who fpeaks after it begins a new Verfe , with- out ...
Strana 18
... fame good Qualities in the Defence of his Country , that he fhewed for its Ruin and Subverfion , the Audience could not enough pity and admire him : But as he cer Fre t re is now represented , we can is 18 The SPECTATOR . N ° 39 ...
... fame good Qualities in the Defence of his Country , that he fhewed for its Ruin and Subverfion , the Audience could not enough pity and admire him : But as he cer Fre t re is now represented , we can is 18 The SPECTATOR . N ° 39 ...
Strana 21
... c . King Lear is an admirable Tragedy of the fame kind , as Shakespear wrote it ; but as it is reformed according to the chymerical Notion of Poetical Ju- ftice , 直 ftice , in my humble Opinion it has loft N ° 40. The SPECTATOR .
... c . King Lear is an admirable Tragedy of the fame kind , as Shakespear wrote it ; but as it is reformed according to the chymerical Notion of Poetical Ju- ftice , 直 ftice , in my humble Opinion it has loft N ° 40. The SPECTATOR .
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