Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own WordsToby Cole, Helen Krich Chinoy Crown Trade Paperbacks, 1995 - Počet stran: 715 Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. |
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Strana 20
... Roscius introduced the mask to hide his squinting eyes . In a comment interesting for the history of acting in this time , Cicero , who was a friend and admirer of Roscius , recorded his objection to the mask even as Roscius used it ...
... Roscius introduced the mask to hide his squinting eyes . In a comment interesting for the history of acting in this time , Cicero , who was a friend and admirer of Roscius , recorded his objection to the mask even as Roscius used it ...
Strana 21
... Roscius " signifies histrionic excellence . Among the mimes the name of Sorex , the archimime , stands out . Another mimic actor Lentulus , mentioned by Juvenal , realistically played the part of a schem- ing slave who was crucified in ...
... Roscius " signifies histrionic excellence . Among the mimes the name of Sorex , the archimime , stands out . Another mimic actor Lentulus , mentioned by Juvenal , realistically played the part of a schem- ing slave who was crucified in ...
Strana 25
... Roscius . At this point Saturius first complained bitterly that Roscius had become joint - possessor for nothing of a slave who had been bought by Fannius and was his private property . Of course Fannius , that generous man , careless ...
... Roscius . At this point Saturius first complained bitterly that Roscius had become joint - possessor for nothing of a slave who had been bought by Fannius and was his private property . Of course Fannius , that generous man , careless ...
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action actor actress appear art of acting artist audience beauty became become Benjamin Blom Betterton called century character Charles comedian Comédie Française comedy comic commedia created creative critic director drama dramatist Duse Edmund Kean Edwin Booth effect Eleonora Duse emotion experience expression eyes feeling Garrick genius gesture give Group Theatre Hamlet Henry Irving histrionic Hôtel de Bourgogne human imagination imitation improvisation inspiration John Kean Kemble living London Macbeth manner mask means method Meyerhold mind Molière Moscow Art Theatre movement nature never Othello Paris passion performance person Peter Brook physical play players playwright poet production realistic rehearsals Richard Richard Burbage role Roscius scene Shakespeare soul speak spectator speech stage Stanislavsky style talent Talma technique Théâtre theatrical thing thought tion tone tradition tragedy tragic true truth Tulane Drama Review Vito Pandolfi voice William words York