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In making up, the bottom of the sleeve may be either set into a band, as in the Plate, or into a piping; at the top it is gathered, and frequently a piping is put round it, which gives it a neat finish: it is set into the dress quite plainly under the arms; the fulness is thrown a little back, for if brought too forward, it is very unbecoming to the figure.

SHORT SLEEVE.

PLATE 12. FIG. 27, 28, 29.

These are cut out exactly like Fig. 25, excepting that after the sleeve is simply cut out, a triangular piece is taken from the top of the doubled part of it, and a triangle of worked muslin inserted. To cut out this piece, double the sleeve, as in Fig. 29, and cut off from A to B: when opened again, it will resemble Fig. 28, and when made up, it will be like Fig. 27.

In making up, after setting the sleeve into a band or piping at the bottom, gather it at the top and sew it to the triangular piece, throwing the fulness pretty equally at the sides, and making it very full at the point of the triangle. Sometimes the triangle is piped to make it firmer.

CIRCULAR SHORT SLEEVE.

PLATE 12. FIG. 30, 31, 32.

This is another kind of short sleeve, being cut out of a circle. It is hollowed a little (see Fig. 30), A B, for the inside of the arm. A circular hole is cut in the centre, a little larger than the width of the arm; this inner circle is gathered and set into the band, and the outer one, also gathered, is sewed into the arm-hole of the dress.

The following are good sizes for circular sleeves, all of which must be cut out of squares.

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This sleeve may be used either for petticoats, or, when tight sleeves are worn, for evening dresses, and children's frocks, in which case it is ornamented in different ways.

Turn up the material on the perfect cross, and for the better cutting it out, double it again, as in Fig. 33, on which four folds lay your pattern, D being the doubled part.

Turn up your material eight nails, then fold it from A to B, Fig. 35, and cut as follows, see Fig. 33:

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Cut from B to C, sweep from B to F, and then cut from H, which is half a nail above C, to G.

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SHOULDER-PIECES, COLLARS, CAPES, &c.

PLATE 13.

As the above articles, together with pelerines, tippets, and collarets, are required for cloaks, gowns, pelisses, frocks, and dressing-gowns, it is advisable to class them under a head by themselves, by which means they can be more readily explained, without confusion or repetition, and the pattern wanted for any particular dress, referred to.

Patterns of the prettiest and most varied forms are selected, together with a few scales for different sizes.

OBSERVE that the Plates represent but half of the pattern, which is supposed to be double at the end marked D; also NOTICE, that they are drawn to a scale of the exact size of the pattern when made up, so that about a quarter of a nail must be allowed all round, for the turnings in. It is a good plan, when cutting out any difficult shape, to make a pattern on paper, very accurately, first; and then to lay it on the material and cut by it.

As it would be impossible to describe any intricate shape clearly, without putting it into some regular form, it is deemed necessary to enclose each pattern within an oblong or a square, on the sides of which are marked distinctly the nails, so that by making a figure on paper to a scale of real nails in the same proportion, and marking with great accuracy the parts, which the extreme points of the irregular pattern within, touch, the shape may be easily obtained by curving inwardly or outwardly from point to point, according to the shape to be represented in the drawing. It is always preferable to cut the above articles crosswise, both before and behind, as they set much better to the shape, especially behind; for the sake of economy, they are sometimes cut straight-wise with one end placed against the selvage; sometimes the collar or cape is joined behind with a neat piping, in which case the back of the pattern is frequently laid against the selvage and the points made to lie crosswise. The Plate represents the patterns as cut on the most economical plan, shewing whether the front or back should be straight-wise. Observe that if one side of the back be cut across, the other side must be so likewise, and if one side of the back be cut selvage-wise, so must the corresponding; whereas, with regard to the front ends, one side may be straight, while the other is on the cross.

IN CUTTING CROSSWISE.

Turn up a sufficient quantity of the corner of the material, like a half-handkerchief, and laying the pattern with the part marked D on the doubled part of the material, cut it out, allowing a quarter of a nail all round for the turning in.

IN CUTTING STRAIGHT-WISE.

Double the material selvage-wise to the proper width, and cut out according to the paper pattern, still placing D on the folded part of the muslin.

SHOULDER-PIECES.

Are generally employed in dressing-gowns, cloaks, and capes, also in boys' high dresses. It is the part to which the skirt or deep cape is fulled, and should be made to set particularly well to the figure, else the whole dress will have an awkward appearance.

In making up, the shoulder-pieces are generally lined, unless they are intended for any light article of dress. If they are meant for a cloak or warm cape, a piece of fine flannel or demet, is often put between the material of which the cloak is made and the lining, with a piping round the edge.

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Shape off in a gradual curve from D to B, from B to I. Cut in a straight line from D to G. Slope from G to H.

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Cut in a straight line from C to J. Curve gradually from F to G, and from B to H.

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