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" I never hear the loud, solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plovers in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion or poetry. "
Censura Literaria: Containing Titles, Abstracts, and Opinions of Old English ... - Strana 51
autor/autoři: Sir Egerton Brydges - 1805
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The works of Robert Burns; with an account of his life, and a ..., Svazek 2

Robert Burns - 1800 - 520 str.
...hawthorn, that I view and hang over with particular delight. I VOL. ii. P never never hear the loud, solitary whistle of the curlew, in a summer noon, or the wild mixing cadence of a troop of grey plover, in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion...
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The Monthly Visitor, and Entertaining Pocket Companion, Svazek 12

1801 - 452 str.
...budding-birch, and the hoary hawthorn, that I view and hang over with particular delight. I never hear the loud solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey-plovers in an autumnal morning, without feeling an elevation of soul like, the enthusiasm of devotion,...
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The Edinburgh Review: Or Critical Journal, Svazek 48

1828 - 722 str.
...solitary •whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation...Tell me, my dear friend, to what can this be owing. Are we a piece of machinery, which, like the . lv>li;m harp, passive, takes the impression of the passing...
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The Edinburgh Review: Or Critical Journal, Svazek 13

1809 - 530 str.
...birch, and the hoary hawthorn, that I view and hang over with particular delight. I never hear die loud, solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation of soul like the endiusiasm of devotion...
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The Works of Robert Burns: General correspondence, including pieces of ...

Robert Burns - 1806 - 506 str.
...birch, and the hoary hawthorn, that I view and hang over with particular delight. I never hear the loud, solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion...
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The works of Robert Burns; with an account of his life, and a ..., Svazek 2

Robert Burns - 1806 - 622 str.
...solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation...of soul like the enthusiasm of devotion or poetry. Te^l me, my dear friend, to what can this be owing ? Are we a piece of machinery, which, like the Eolian...
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The Prosaic Garland: Consisting of Upwards of Two-hundred Pieces Selected ...

John Evans - 1807 - 318 str.
...bndding-birch, and the hoary hawthorn, that I view and hang over with particular delight. I never hear the lond solitary whistle of the curlew in a summer noon, or the wild mixed cadence of a troop of grey-plovers ia an antumnal morning, without feeling an ele<' vation of...
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The Edinburgh Review, Svazek 13

1809 - 530 str.
...the hoary hawthorn, that I view and hang over with particular delight. I never hear the loud, solhary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of grey plover in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion...
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Select Reviews, and Spirit of the Foreign Magazines, Svazek 2

Enos Bronson - 1809 - 458 str.
...birch, and the hoary hawthorn, that I view and hang over with particular delight. I never hear the loud, solitary whistle of the curlew in a summer noon, or the wild mixing cadence of a troop of gray plover in an autumnal morning, without feeling an elevation of soul like the enthusiasm of devotion...
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Select Reviews, Svazky 1–2

1809 - 914 str.
...plo\ ur in an autumnal mornincr, without feeling an elevation of soul like the enthusiasm of dévotion or poetry. Tell me, my dear friend, to what can this be owing Ï Are we a piece of machinery, which, like the Kolian harp, passive, takes the impression of the passing...
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