Broken Boundaries: Women and Feminism in Restoration DramaKatherine M. Quinsey University Press of Kentucky, 17. 3. 2021 - Počet stran: 256 This volume of twelve original essays is the first comprehensive study of feminist issues in Restoration drama. The late seventeenth century marks a pivotal era in the history of feminism, when Renaissance assumptions about gender and patriarchy were being directly challenged. For the first time, women appeared onstage as actresses, made their presence felt as spectators and patrons, and wrote a number of the plays produced in theaters. In an unusually direct and probing way, drama of the Restoration period raised radical questions about the place of women in the family and in society, and about the essential nature of men and women. The essays examine feminist issues from a variety of historical and theoretical approaches across a spectrum of plays—comedies, tragedies, tragicomedies, and heroic drama. By addressing the acute questions of gender raised in the drama, Broken Boundaries presents a vivid portrait of the uncertainties and changing perceptions in all areas of intellectual, political, and social life during the last decades of the seventeenth century. |
Obsah
Regendering Tragedy in Manley and Trotter | |
Roving and Rape in Behns | |
Closure and Subversion in Behns Comedies | |
Lady Fulbank and the Poets Dream in Behns Lucky Chance | |
CitCuckolding as Class Warfare | |
Feminine Will and Identity in Drydens Conquest | |
Resisting a Private Tyranny in Two Humane Comedies | |
Telling Differences in Congreves Way of | |
Rape Voyeurism and the Restoration Stage | |
The Actress and the Spectatrix in Restoration | |
Essentializing Discourses and | |
Contributors | |
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Broken Boundaries: Women & Feminism in Restoration Drama Katherine M. Quinsey Zobrazení fragmentů - 1996 |