 | Samuel Johnson - 1765 - 80 str.
...of toil and ftudy, what is written at laft with little felicity ; but in his comick fcenes, he feems to produce without labour, what no labour can improve. In tragedy he is always ftruggling after fome occafion to be comick, but in comedy he feems to repofe, or to luxuriate, as... | |
 | William Shakespeare - 1768 - 676 str.
...of toil and ftudy,'' what is written at laft with little felicity; but in his comick fcenes he feems to produce without labour, what no labour can improve. In tragedy he is always ftruggling after fome occafion to be comick, but in comedy be fc£rrjs!to,repofe, or to luxuriate,... | |
 | William Shakespeare - 1773 - 554 str.
...of toil and ftudy, what is written at lad with little felicity j but in his comick fcenes, he feems to produce without labour, what no labour can improve. In tragedy he is always ftruggling after fome occafion to be comick, but in comedy he feems to repofe, or to luxuriate, as... | |
 | Samuel Johnson - 1774 - 374 str.
...natural Difpofition, and fcis Difpofition, as Rhymer has remarked, led him to •Comedy. In Tragedy he often writes with great Appearance of Toil and Study, what is written at laft with little Felicity ; but in his comic Scenes he ieems to produce without Labour, what no Labour... | |
 | William Shakespeare - 1778 - 746 str.
...toil and ftudy, what is written at laft with little felicity ; 1 but in his comick fcenes, he feems to produce without labour, what no labour can improve. In tragedy he i> always Itruggling after fome occafion to be comick, but in comedy he feems to repofe, or to luxuriate,... | |
 | Samuel Johnson, John Hawkins - 1787 - 500 str.
...toil and iiudy, what is written at laft with little felicity ; but, in his comick lcer.es, he feems to produce, without labour, what no labour can improve. In tragedy he is always ftruggling after fomeoccafion to be corruck ; but in comedy he feems to repofe, or to luxuriate, as... | |
 | George Colman - 1787 - 338 str.
...of toll and Jiudy, what is written at laji with little facility ; but in his comick fcenes, he feems to produce without labour, what no labour can improve. In Tragedy he is always ftruggling after fome occafion to be comick, but in Comedy he feems to repofe, or to luxuriate, as... | |
 | William Shakespeare - 1788 - 346 str.
...his natural disposition ; and his disposition, as Rymer has remarked, led him to comedy. In tragedy he often writes, with great appearance of toil and...study, what is written at last with little felicity j but in his coraick scenes, he seems to. produce, without labour, what no labour can improve. In tragedy... | |
 | Vicesimus Knox - 1790 - 1058 str.
...of toil and Itudy, what is written at lail with little felicity ; but in his comic fcenes, he feems to produce, without labour, what no labour can improve. In tragedy he is always ftruggling after fome cccafion to be comic ; but in comedy he feems to repofe, or to luxuriate, as... | |
 | William Shakespeare - 1793 - 860 str.
...of toil and lludy, what is written at laft with little felicity ; but in his comick fcenes, he feems to produce without labour, what no labour can improve. In tragedy he is always ftruggling after fome occaflon to be comick, but in comedy he feems to repofe, or to luxuriate, as... | |
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... he therefore indulged his natural disposition, and his disposition, as Rymer has remarked, led him to comedy. In tragedy he often writes with great appearance of toil and study, what is written at last with little felicity; but in his comick scenes,... 
