 | William Shakespeare - 1788 - 346 str.
...seems to repose, pr to luxuriate, as in a mode of thinking congenial to his nature. In his tragick scenes there is always something wanting, but his...or desire. His comedy pleases by the thoughts and the language, and his tragedy, for the greater part, by incident and ai'-t ion. His tragedy seems to... | |
 | William Shakespeare - 1803 - 494 str.
...seems to repose, or to luxuriate, as in a mode of thinking congenial to his nature. In his tragick scenes there is always something wanting, but his...or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be... | |
 | William Shakespeare - 1804 - 256 str.
...indulged his natural disposition ; and his disposition, as Ryiner has remarked, led him to comedy. Tragedy he often writes with great appearance of toil and...surpasses expectation or desire. His comedy pleases by the thought! and the language ; and his tragedy, for the greater part, by incident and action. His tragedy... | |
 | Samuel Johnson - 1806 - 376 str.
...seems to repose, or to luxuriate, as in a mode of thinking congenial to his nature. In his tragick scenes there is always something wanting, but his...or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be... | |
 | William Shakespeare - 1806 - 394 str.
...seems to repose, or to luxuriate, as in a mode of thinking congenial to his nature. In his fragick scenes there is always something wanting, but his...or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be... | |
 | Samuel Johnson - 1809 - 488 str.
...felicity ; but, in his comic scenes, he seems to produce, without labour, what no labour can im. prove. In tragedy he is always struggling after some occasion...or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be... | |
 | William Shakespeare - 1809 - 394 str.
...se^ ms to repose, or to luxuriate, as in a mode of thinking congenial to his nature. In his tragick scenes there is always something wanting, but his...or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be... | |
 | William Shakespeare - 1809 - 390 str.
...seems to repose, or to luxuriate, as in a mode of thinking congenial to his nature. In his tragick scenes there is always something wanting, but his...or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be... | |
 | William Shakespeare - 1810 - 444 str.
...seems to repose, or to luxuriate, as in a mode of thinking congenial to his nature. In his tragick scenes there is always something wanting, but his...or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be... | |
 | Samuel Johnson, Arthur Murphy - 1810 - 486 str.
...seems to repose, or to luxuriate, as in a mode of thinking congenial to his nature. In his tragick scenes there is always something wanting, but his...or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy ' seems to be... | |
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In his tragic scenes there is always something wanting, but his comedy often surpasses expectation or desire. His comedy pleases by the thoughts and the language, and his tragedy for the greater part by incident and action. His tragedy seems to be skill,... 
