Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Strana 61
... Berenice's teachings and takes upon himself the responsibility of insurrection : Berenice certainly thwarts Porphyrius ' at- tempt to assassinate Maximin ( v . 435–6 ) , but the hero soon leads a second , successful rebellion ...
... Berenice's teachings and takes upon himself the responsibility of insurrection : Berenice certainly thwarts Porphyrius ' at- tempt to assassinate Maximin ( v . 435–6 ) , but the hero soon leads a second , successful rebellion ...
Strana 76
... Berenice's action : does it display perfect goodness or an overzealous sense of principle ? With her next speech , however , Berenice begins to provide us with clues , reviving the doubts we had felt about her in Act III . Here , once ...
... Berenice's action : does it display perfect goodness or an overzealous sense of principle ? With her next speech , however , Berenice begins to provide us with clues , reviving the doubts we had felt about her in Act III . Here , once ...
Strana 77
... Berenice's Soul . . . . This sigh of mine shall meet it [ Porphyrius ' last sigh ] half the way , As pledges giv'n that each for other stay . ( v . 485–7 , 490–3 , 500—1 ) Once again , Berenice plunges into disconcerting absurdity , and ...
... Berenice's Soul . . . . This sigh of mine shall meet it [ Porphyrius ' last sigh ] half the way , As pledges giv'n that each for other stay . ( v . 485–7 , 490–3 , 500—1 ) Once again , Berenice plunges into disconcerting absurdity , and ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas