Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Strana 50
... Cortez in the second act , when Cydaria and Alibech attempt to dissuade him from the war against Montezuma . Cydaria begins by imaging him as an agent of malign natural cycle , as a force of night prematurely encroaching on the day ...
... Cortez in the second act , when Cydaria and Alibech attempt to dissuade him from the war against Montezuma . Cydaria begins by imaging him as an agent of malign natural cycle , as a force of night prematurely encroaching on the day ...
Strana 53
... Cortez honourably spares him , though the ill grace with which he does so dims the lustre of his magnanimity . Honour is here not a fit of virtue in the soul but an external code to be resentfully respected , and , as so often in Dryden ...
... Cortez honourably spares him , though the ill grace with which he does so dims the lustre of his magnanimity . Honour is here not a fit of virtue in the soul but an external code to be resentfully respected , and , as so often in Dryden ...
Strana 56
... Cortez ' expressions of adoration and " Devotion " . Cortez ' decisions do not consistently demonstrate his worthiness . On the contrary , every decision he makes demonstrates his inability to control dishonourable passions - an ...
... Cortez ' expressions of adoration and " Devotion " . Cortez ' decisions do not consistently demonstrate his worthiness . On the contrary , every decision he makes demonstrates his inability to control dishonourable passions - an ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas