Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
Vyhledávání v knize
Výsledky 1-3 z 41
Strana 79
Derek Hughes. 5 The Conquest of Granada To pass from the early heroic plays to The Conquest of Granada ( 1670-1 ) is to pass from tentative and uneven experiments to a work revealing a sustained assurance and sense of purpose ...
Derek Hughes. 5 The Conquest of Granada To pass from the early heroic plays to The Conquest of Granada ( 1670-1 ) is to pass from tentative and uneven experiments to a work revealing a sustained assurance and sense of purpose ...
Strana 81
... Granada have been extensively analysed , there is no need to spend long in repeating the causes of Granada's downfall . The kingdom disintegrates because its members , intent on the unbounded fulfilment of passion , refuse to contain ...
... Granada have been extensively analysed , there is no need to spend long in repeating the causes of Granada's downfall . The kingdom disintegrates because its members , intent on the unbounded fulfilment of passion , refuse to contain ...
Strana 192
... Granada , 3 , 4 , 5 , 7 , 9 , 10 , 11 , 12 , 13-15 , 18 , 19–21 , 22 , 23 , 25-6 , 37 , 38 , 79-117 , 118– 19 , 151 , 154 , 156 , 160 , 162 , 164-6 , 178 n . 8 Dedication of Æneis , 174 n . 41 , 175 n . 46 , 182 n . 9 Dedication of ...
... Granada , 3 , 4 , 5 , 7 , 9 , 10 , 11 , 12 , 13-15 , 18 , 19–21 , 22 , 23 , 25-6 , 37 , 38 , 79-117 , 118– 19 , 151 , 154 , 156 , 160 , 162 , 164-6 , 178 n . 8 Dedication of Æneis , 174 n . 41 , 175 n . 46 , 182 n . 9 Dedication of ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas