Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Strana 37
... Indian Queen is obviously not a great play . Some of its central images , such as those of mutability , are realised in a rudimentary and inadequate fashion ; one of ... Indian Emperour In The Indian Emperour ( 1665 " The Indian Queen " 37.
... Indian Queen is obviously not a great play . Some of its central images , such as those of mutability , are realised in a rudimentary and inadequate fashion ; one of ... Indian Emperour In The Indian Emperour ( 1665 " The Indian Queen " 37.
Strana 38
Derek Hughes. 3 The Indian Emperour In The Indian Emperour ( 1665 ) Dryden realises much of the promise shown in the latter part of The Indian Queen . In particular , he refines and develops the intricacy of characterisation that had ...
Derek Hughes. 3 The Indian Emperour In The Indian Emperour ( 1665 ) Dryden realises much of the promise shown in the latter part of The Indian Queen . In particular , he refines and develops the intricacy of characterisation that had ...
Strana 39
... Indian Emperour , but the play is considerably more complex than has hitherto been allowed , and considerably less optimistic about man's capacity for " heroic perfection " . 1. GENERATION AND CORRUPTION In The Indian Emperour , as in ...
... Indian Emperour , but the play is considerably more complex than has hitherto been allowed , and considerably less optimistic about man's capacity for " heroic perfection " . 1. GENERATION AND CORRUPTION In The Indian Emperour , as in ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas