Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
Vyhledávání v knize
Výsledky 1-3 z 34
Strana
... Platonic lover in a placid and virtuous triangle that is free from all misunderstanding . In all these assumptions , however , she over- estimates both her own capacities and those of her two partners . Berenice in Tyrannick Love ...
... Platonic lover in a placid and virtuous triangle that is free from all misunderstanding . In all these assumptions , however , she over- estimates both her own capacities and those of her two partners . Berenice in Tyrannick Love ...
Strana
... Platonic tradition . Absurd and impossible as the romance characters are , they are far less so than those of Carlell , Cartwright , Davenant , and Orrery . In reworking material from heroic romance , then , Dryden consistently makes ...
... Platonic tradition . Absurd and impossible as the romance characters are , they are far less so than those of Carlell , Cartwright , Davenant , and Orrery . In reworking material from heroic romance , then , Dryden consistently makes ...
Strana 169
... Platonic Element in the Restoration Heroic Play " , PMLA , 45 ( 1930 ) , 623-4 ; Lynch , " Conventions of Platonic Drama in the Heroic Plays of Orrery and Dryden " , PMLA , 44 ( 1929 ) , 456 71. For other studies of the debt to romance ...
... Platonic Element in the Restoration Heroic Play " , PMLA , 45 ( 1930 ) , 623-4 ; Lynch , " Conventions of Platonic Drama in the Heroic Plays of Orrery and Dryden " , PMLA , 44 ( 1929 ) , 456 71. For other studies of the debt to romance ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
Další části 4 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas