Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Výsledky 1-3 z 41
Strana v
... course , vanished in the duel episode . Most specifically , however , Montezuma's speech of self - sacrifice contrasts with Acacis ' concluding speech in the previous act , in which he too had offered his life to Zempoalla : I'le quench ...
... course , vanished in the duel episode . Most specifically , however , Montezuma's speech of self - sacrifice contrasts with Acacis ' concluding speech in the previous act , in which he too had offered his life to Zempoalla : I'le quench ...
Strana 51
... course predicted by Alibech , courting the daughter in blood , not yet of the father , but of the subjects who serve and protect him . When the first battle is joined , Cortez does not , as he had promised , take " the edge of War ...
... course predicted by Alibech , courting the daughter in blood , not yet of the father , but of the subjects who serve and protect him . When the first battle is joined , Cortez does not , as he had promised , take " the edge of War ...
Strana 100
... courses , and their relationship has been so neutral and nebulous that the false pairing seems , at first sight , to ... course , oppose Lyndaraxa's cause , fighting to vindicate Almahide's chastity . He does so , however , without faith ...
... courses , and their relationship has been so neutral and nebulous that the false pairing seems , at first sight , to ... course , oppose Lyndaraxa's cause , fighting to vindicate Almahide's chastity . He does so , however , without faith ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas