Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Strana 50
... echoes her father's equivocal deification of her lover ; once again Cortez must choose between the roles of savage and gentle god , and once again he is to choose the savage role : Those closing Skies might still continue bright , But ...
... echoes her father's equivocal deification of her lover ; once again Cortez must choose between the roles of savage and gentle god , and once again he is to choose the savage role : Those closing Skies might still continue bright , But ...
Strana 88
... echoes and parodies the self - dramatisation that had accompanied Lyndaraxa's speech of bloodlust : No ; like his better Fortune I'le appear : With open Arms , loose Vayl , and flowing Hair . ( I. III . p . 52 ; italics added ) The ...
... echoes and parodies the self - dramatisation that had accompanied Lyndaraxa's speech of bloodlust : No ; like his better Fortune I'le appear : With open Arms , loose Vayl , and flowing Hair . ( I. III . p . 52 ; italics added ) The ...
Strana 101
... echoes his boast : " Dye for us both ; I have not leysure now , " she commands Abdelmelech ( 11. v . p . 160 ) . She continues to echo Almanzor throughout the ensuing speech , impotently " The Conquest of Granada " 101.
... echoes his boast : " Dye for us both ; I have not leysure now , " she commands Abdelmelech ( 11. v . p . 160 ) . She continues to echo Almanzor throughout the ensuing speech , impotently " The Conquest of Granada " 101.
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas