Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
Vyhledávání v knize
Výsledky 1-3 z 25
Strana 108
... face when she admits to herself the ambiguity of the motives behind her consent to Almanzor's recall , for to her husband's face she had fiercely resisted charges that her quick consent betrayed continuing love for the hero ( 11. 1. pp ...
... face when she admits to herself the ambiguity of the motives behind her consent to Almanzor's recall , for to her husband's face she had fiercely resisted charges that her quick consent betrayed continuing love for the hero ( 11. 1. pp ...
Strana 112
... face is psychologically realistic , but none the less a volte - face for that , since Almahide has no grievance against Boabdelin that she did not have when she avowed her continuing love . Indeed , the two speeches present ...
... face is psychologically realistic , but none the less a volte - face for that , since Almahide has no grievance against Boabdelin that she did not have when she avowed her continuing love . Indeed , the two speeches present ...
Strana 120
... face : That Image does my Virgin - flames renew , And all your Father shines more bright in you . ( IV . 148-52 ) Similarly , in seeking to supplant Indamora in Aureng - Zebe's affections she tries to steal the role of one whom she sees ...
... face : That Image does my Virgin - flames renew , And all your Father shines more bright in you . ( IV . 148-52 ) Similarly , in seeking to supplant Indamora in Aureng - Zebe's affections she tries to steal the role of one whom she sees ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
Další části 4 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas