Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
Vyhledávání v knize
Výsledky 1-3 z 18
Strana 37
... identity of the other : " O that you wou'd believe / Acacis lives in me , and cease to grieve " , he pleads ( v . i . 284—5 ) . Since Zempoalla's feelings for Montezuma are wholly unmaternal , the suggestion seems decidedly inept , and ...
... identity of the other : " O that you wou'd believe / Acacis lives in me , and cease to grieve " , he pleads ( v . i . 284—5 ) . Since Zempoalla's feelings for Montezuma are wholly unmaternal , the suggestion seems decidedly inept , and ...
Strana 100
... identities , approaching Almahide's apartment in the spirit of Abdalla , in harmony with Zulema , and under the sway of Lyndaraxa , remaining true to the role in which his temptress had cast him . Abdelmelech , by contrast , arrives at ...
... identities , approaching Almahide's apartment in the spirit of Abdalla , in harmony with Zulema , and under the sway of Lyndaraxa , remaining true to the role in which his temptress had cast him . Abdelmelech , by contrast , arrives at ...
Strana 145
... identity , and assumes that Heaven's will is a reflection of his own : Morat . My Elder Brothers my fore - runners came ; Rough - draughts of Nature , ill - design'd , and lame : Blown off , like Blossoms , never made to bear ; Till I ...
... identity , and assumes that Heaven's will is a reflection of his own : Morat . My Elder Brothers my fore - runners came ; Rough - draughts of Nature , ill - design'd , and lame : Blown off , like Blossoms , never made to bear ; Till I ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
Další části 4 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas