Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Strana 40
... imagery is ungainly and hybrid : the savage continent was brought forth amidst all the primness of a Spanish accouchement , and the European summers are newly hatched chicks in often dyed garments . The most startling hybrid , however ...
... imagery is ungainly and hybrid : the savage continent was brought forth amidst all the primness of a Spanish accouchement , and the European summers are newly hatched chicks in often dyed garments . The most startling hybrid , however ...
Strana 50
... imagery . We next see Cortez in the second act , when Cydaria and Alibech attempt to dissuade him from the war against Montezuma . Cydaria begins by imaging him as an agent of malign natural cycle , as a force of night prematurely ...
... imagery . We next see Cortez in the second act , when Cydaria and Alibech attempt to dissuade him from the war against Montezuma . Cydaria begins by imaging him as an agent of malign natural cycle , as a force of night prematurely ...
Strana 144
... imagery : Indamora's derogation of love is enforced by circumstances , and Aureng- Zebe reverses the significance of her imagery , turning the dream into a prophetic intimation of an overwhelming reality . But Indamora speaks the truth ...
... imagery : Indamora's derogation of love is enforced by circumstances , and Aureng- Zebe reverses the significance of her imagery , turning the dream into a prophetic intimation of an overwhelming reality . But Indamora speaks the truth ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas