Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Výsledky 1-3 z 40
Strana 69
... merely as subsidiary figures in her own drama of salvation , significant only as foils to her own starring role . She is one of Dryden's many heroic solipsists . Soon , however , the debate swings in Catharine's favour . Felicia becomes ...
... merely as subsidiary figures in her own drama of salvation , significant only as foils to her own starring role . She is one of Dryden's many heroic solipsists . Soon , however , the debate swings in Catharine's favour . Felicia becomes ...
Strana 129
... merely provided him with fresh fuel for suspicion , but now the mere fact of her rage effects the transformation that all her explanations have failed to secure , Aureng - Zebe changing his mind not because the truth is revealed to him ...
... merely provided him with fresh fuel for suspicion , but now the mere fact of her rage effects the transformation that all her explanations have failed to secure , Aureng - Zebe changing his mind not because the truth is revealed to him ...
Strana 153
... merely introduce motifs that he had exploited more fully elsewhere . Far from deriving new energy from his Shakespearean experiment , he merely produced a minor postscript to the heroic plays . Dryden displayed far more originality when ...
... merely introduce motifs that he had exploited more fully elsewhere . Far from deriving new energy from his Shakespearean experiment , he merely produced a minor postscript to the heroic plays . Dryden displayed far more originality when ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas