Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Strana iii
... scene of fatal jealousy , which has already been discussed , and during the preparations for sacrifice , where her fatal jealousy reappears . Such is her possessiveness in the sacrifice scene that she even forbids Montezuma to beg the ...
... scene of fatal jealousy , which has already been discussed , and during the preparations for sacrifice , where her fatal jealousy reappears . Such is her possessiveness in the sacrifice scene that she even forbids Montezuma to beg the ...
Strana 36
... scene is thematically important , but the themes have to be dug out with some effort : the scene shows the immature or mediocre writer's inability to give appropriately emphatic expression to his ideas , and it in no way matches the ...
... scene is thematically important , but the themes have to be dug out with some effort : the scene shows the immature or mediocre writer's inability to give appropriately emphatic expression to his ideas , and it in no way matches the ...
Strana 57
... scene demonstrates beyond doubt that the Spanish religion is identical with the cult of Huitzilopochtli and provides the grimmest image of the triumph of death over the forces of renewal . As Cortez enters the torture chamber , he ...
... scene demonstrates beyond doubt that the Spanish religion is identical with the cult of Huitzilopochtli and provides the grimmest image of the triumph of death over the forces of renewal . As Cortez enters the torture chamber , he ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas