Dryden's Heroic PlaysMacmillan, 1981 - Počet stran: 195 |
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Strana 139
... virtue : Why did my Arms in Battel prosp❜rous prove , To gain the barren praise of Filial love ? ( 1. 348-9 ) His desire to profit by virtue continues in Act II . For all the impressive self- denial with which he dissuades his ...
... virtue : Why did my Arms in Battel prosp❜rous prove , To gain the barren praise of Filial love ? ( 1. 348-9 ) His desire to profit by virtue continues in Act II . For all the impressive self- denial with which he dissuades his ...
Strana 140
... Virtue is nice to take what's not her own ; And , while she long consults , the Prize is gone . ( 11. 502-13 ) The ... virtue profitable , however , is no more successful than its predecessors , and in Act IV Aureng - Zebe loses all ...
... Virtue is nice to take what's not her own ; And , while she long consults , the Prize is gone . ( 11. 502-13 ) The ... virtue profitable , however , is no more successful than its predecessors , and in Act IV Aureng - Zebe loses all ...
Strana 141
... Virtue and interest are at last allied , and Aureng - Zebe recovers from his suicidal despair : My Father's kind ; and , Madam , you forgive : Were Heav'n so pleas'd , I now could wish to live . ( IV . 607-8 ) At the end of Act IV ...
... Virtue and interest are at last allied , and Aureng - Zebe recovers from his suicidal despair : My Father's kind ; and , Madam , you forgive : Were Heav'n so pleas'd , I now could wish to live . ( IV . 607-8 ) At the end of Act IV ...
Obsah
Preface | |
The Indian Queen 22 | |
The Indian Emperour | 38 |
Autorská práva | |
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Abdalla Acacis Achilles action Almahide Almahide's Almanzor appear asserts Assyria attempt Aureng-Zebe becomes beginning believe Berenice Boabdelin brings career Catharine Catharine's cause characters Christian claims concern Conquest continues contrast Cortez course creates criticism Cyrus death desire destroy divine dream Dryden echoes Emperor evidence example face fact fails falls fear final flaws follow force further give Granada Heav'n hero heroic plays honour human ideal identity illusion imagery immediately Indamora Indian interest King later less live London lover Lyndaraxa magnanimity Maximin merely mind mistress Montezuma moral Morat move nature never Nevertheless offers once Orazia parallel passion perfect Platonic Porphyrius portraying prisoners provides Queen reality reason refuses reveals rival role romance scene seek seems sense sexual similarly soon Soul speech spirit sustained tragedy triumph true turn villains virtue whereas