Ira Aldridge, the Negro TragedianSouthern Illinois University Press, 1968 - Počet stran: 355 **** Reprint of the Rockliff (UK) edition originally published in 1958 (and endorsed by BCL3). Annotation copyright by Book News, Inc., Portland, OR |
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Strana 197
... Shylock does not represent anything in himself ; he is only a necessary cog in the general layout , the same as Antonio , Bassanio , Portia , etc. Yet every exit of Shylock was an event . He did not enter into the general pattern and he ...
... Shylock does not represent anything in himself ; he is only a necessary cog in the general layout , the same as Antonio , Bassanio , Portia , etc. Yet every exit of Shylock was an event . He did not enter into the general pattern and he ...
Strana 234
... Shylock and King Lear . ... Other artistes we have seen gave Shylock the character of a soul - less merchant , ridiculous in his demands and his insatiable anger and impudence , presenting him as a caricature . Mr. Aldridge understood ...
... Shylock and King Lear . ... Other artistes we have seen gave Shylock the character of a soul - less merchant , ridiculous in his demands and his insatiable anger and impudence , presenting him as a caricature . Mr. Aldridge understood ...
Strana 235
... Shylock not merely as one individual — a moneylender of Venice named Shylock — but a representative of all the wandering and oppressed Jews of history . Similarly , in Othello he portrayed not just a specific Moor with a specific fate ...
... Shylock not merely as one individual — a moneylender of Venice named Shylock — but a representative of all the wandering and oppressed Jews of history . Similarly , in Othello he portrayed not just a specific Moor with a specific fate ...
Obsah
It Came to Pass | 1 |
II Descendant of a Princely Line? | 14 |
The African Free School | 23 |
Autorská práva | |
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