The Ladies: Female Patronage of Restoration Drama, 1660-1700Clarendon Press, 1989 - Počet stran: 188 This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens. |
Vyhledávání v knize
Výsledky 1-3 z 41
Strana 114
... Dryden wrote in his epistle to her which prefaces his first play , The Wild Gallant ( 1663 ) , that she encouraged him in writing the piece and presenting it for performance , and that she sponsored its two performances at Court . Pepys ...
... Dryden wrote in his epistle to her which prefaces his first play , The Wild Gallant ( 1663 ) , that she encouraged him in writing the piece and presenting it for performance , and that she sponsored its two performances at Court . Pepys ...
Strana 117
... Dryden's offered dedication of the play to her because she did not wish her generosity to be made public.80 For once the hyperbolic praise with which Dryden thanked his patroness through her father - in - law was justified ; a goddess ...
... Dryden's offered dedication of the play to her because she did not wish her generosity to be made public.80 For once the hyperbolic praise with which Dryden thanked his patroness through her father - in - law was justified ; a goddess ...
Strana 180
... Dryden's Heroic Drama ' , Publications of the Modern Language Association of America , 73 ( 1958 ) , 480-90 . PARNELL , PAUL E. , ' Equivocation in Cibber's Love's Last Shift ' , Studies in Philology , 57 ( 1960 ) , 519-34 . Pinto , V ...
... Dryden's Heroic Drama ' , Publications of the Modern Language Association of America , 73 ( 1958 ) , 480-90 . PARNELL , PAUL E. , ' Equivocation in Cibber's Love's Last Shift ' , Studies in Philology , 57 ( 1960 ) , 519-34 . Pinto , V ...
Obsah
Introduction I | 1 |
Elizabeth Pepys Playgoer | 49 |
Women in the Playhouse | 65 |
Autorská práva | |
Další části 4 nejsou zobrazeny.
Běžně se vyskytující výrazy a sousloví
according activity admiration appear attendance audience boxes character Charles Cibber claim comedy concerned conspicuous conversation Country Court critical Diary discussion Drama dramatists Dryden Duchess effect Elizabeth English English Studies Epilogue evidence example fact faction fashionable favour female female audience further give given Honour husband indicate interest John kind King ladies least leisure less London Love Maids marriage Mary means moral names observed occasions offered Oxford patrons Pepys Pepys's performance play playhouse pleasure plot political possible present Prologue prologues and epilogues Queen question reading reason records reflect remained represented Restoration Royal scene seems seen sense Shadwell simply social stage suggests theatre things Thomas thought took town virtue visits vols wife Wives woman women young