The Ladies: Female Patronage of Restoration Drama, 1660-1700Clarendon Press, 1989 - Počet stran: 188 This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens. |
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Strana 90
... desire to secure a good seat for viewing rather than for being viewed ; the same unalarmed readiness to sit in the middle gallery . Even the grotesque caricature of the ' cit ' proudly taking his place in a box more accurately reflects ...
... desire to secure a good seat for viewing rather than for being viewed ; the same unalarmed readiness to sit in the middle gallery . Even the grotesque caricature of the ' cit ' proudly taking his place in a box more accurately reflects ...
Strana 157
... desire ; here the attractions of the suitor are dismissed a little too easily . " Mrs Friendall's difficulty is to credit her own integrity in a world mindlessly enslaved to doubting it . As she puts it , ' how have I behav'd myself ...
... desire ; here the attractions of the suitor are dismissed a little too easily . " Mrs Friendall's difficulty is to credit her own integrity in a world mindlessly enslaved to doubting it . As she puts it , ' how have I behav'd myself ...
Strana 164
... desire , being a woman ? So Farquhar incorporates the riddle which Cibber had made the crux of the scene of Loveless's transformation in Love's Last Shift , and once again it is the fulcral point upon which the plot turns ; a narrative ...
... desire , being a woman ? So Farquhar incorporates the riddle which Cibber had made the crux of the scene of Loveless's transformation in Love's Last Shift , and once again it is the fulcral point upon which the plot turns ; a narrative ...
Obsah
Introduction I | 1 |
Elizabeth Pepys Playgoer | 49 |
Women in the Playhouse | 65 |
Autorská práva | |
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