The Ladies: Female Patronage of Restoration Drama, 1660-1700Clarendon Press, 1989 - Počet stran: 188 This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens. |
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Strana 16
... destroyed by boldness . Modesty imparted itself to all faculties , for example to speech : ' A womans tongue should indeed be like the imaginary Music of the Spheres , sweet and charming , but not to be heard at a distance . ' Its chief ...
... destroyed by boldness . Modesty imparted itself to all faculties , for example to speech : ' A womans tongue should indeed be like the imaginary Music of the Spheres , sweet and charming , but not to be heard at a distance . ' Its chief ...
Strana 164
... fame , destroys our inward quiet ' . Cp . Olivia in Mary Manley's The Lost Lover , IV . i . 109 The Constant Couple , v , i . new set of attitudes about relations between the sexes . 164 The Ladies and the Change in Comedy.
... fame , destroys our inward quiet ' . Cp . Olivia in Mary Manley's The Lost Lover , IV . i . 109 The Constant Couple , v , i . new set of attitudes about relations between the sexes . 164 The Ladies and the Change in Comedy.
Obsah
Introduction I | 1 |
Elizabeth Pepys Playgoer | 49 |
Women in the Playhouse | 65 |
Autorská práva | |
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