The Ladies: Female Patronage of Restoration Drama, 1660-1700Clarendon Press, 1989 - Počet stran: 188 This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens. |
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Strana 54
... play had been ' taken wholly ' from known ( though loved ) territory . It may say something for her appreciation of the situation , moreover , that she not only accompanied her husband to the second performance of the play , but looked ...
... play had been ' taken wholly ' from known ( though loved ) territory . It may say something for her appreciation of the situation , moreover , that she not only accompanied her husband to the second performance of the play , but looked ...
Strana 114
... play's patroness ; unaware , apparently , that she had lent the play her support . “ The Wild Gallant was not in any respect a contentious or controversial play ; there is nothing to suggest that enlistment of its author would yield ...
... play's patroness ; unaware , apparently , that she had lent the play her support . “ The Wild Gallant was not in any respect a contentious or controversial play ; there is nothing to suggest that enlistment of its author would yield ...
Strana 130
... play was what the opposition sought ; a hissing faction might be countered by a clapping one , but a generally disapproving audience meant that the play would not last . In the case of Shadwell's play , vocal support eventually won the ...
... play was what the opposition sought ; a hissing faction might be countered by a clapping one , but a generally disapproving audience meant that the play would not last . In the case of Shadwell's play , vocal support eventually won the ...
Obsah
Introduction I | 1 |
Elizabeth Pepys Playgoer | 49 |
Women in the Playhouse | 65 |
Autorská práva | |
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