The Ladies: Female Patronage of Restoration Drama, 1660-1700Clarendon Press, 1989 - Počet stran: 188 This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens. |
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Strana 57
... possible forty , that going to the theatre was an amicable , ordinary arrangement between them , yet the very phrasing of the argument - ' out of a possible forty ' - betrays the inherent tension of the arrangement : Elizabeth could ...
... possible forty , that going to the theatre was an amicable , ordinary arrangement between them , yet the very phrasing of the argument - ' out of a possible forty ' - betrays the inherent tension of the arrangement : Elizabeth could ...
Strana 81
... possible audiences . Our safest bet is the frankly contradictory Pepys . That said , it is of no less interest to us to know that ' the fine ladies ' sometimes went to the theatre en masse , and that they sometimes sat in the pit and ...
... possible audiences . Our safest bet is the frankly contradictory Pepys . That said , it is of no less interest to us to know that ' the fine ladies ' sometimes went to the theatre en masse , and that they sometimes sat in the pit and ...
Strana 158
... possible to find in the frustrated captivity of the central character the playwright's own frustrations with the dramatic form to which he had committed himself . The disastrous misjudgement of the play by Dodds has an inadvertent ...
... possible to find in the frustrated captivity of the central character the playwright's own frustrations with the dramatic form to which he had committed himself . The disastrous misjudgement of the play by Dodds has an inadvertent ...
Obsah
Introduction I | 1 |
Elizabeth Pepys Playgoer | 49 |
Women in the Playhouse | 65 |
Autorská práva | |
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