The Ladies: Female Patronage of Restoration Drama, 1660-1700Clarendon Press, 1989 - Počet stran: 188 This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens. |
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Strana 159
... scene with superficiality and even hypocrisy , and no one has really challenged him.100 Inflation and mediocrity of expression , and thinness of characterization there may be , but the play as a whole and the conversion scene in ...
... scene with superficiality and even hypocrisy , and no one has really challenged him.100 Inflation and mediocrity of expression , and thinness of characterization there may be , but the play as a whole and the conversion scene in ...
Strana 163
... scene from Cibber's play.107 ' Borrowing ' will not quite do to describe Farquhar's use 107 Bonamy Dobree , English Literature in the Early Eighteenth Century ( Oxford , 1959 ) , 233 , considers Farquhar's play a ' dreary re - hash ' of ...
... scene from Cibber's play.107 ' Borrowing ' will not quite do to describe Farquhar's use 107 Bonamy Dobree , English Literature in the Early Eighteenth Century ( Oxford , 1959 ) , 233 , considers Farquhar's play a ' dreary re - hash ' of ...
Strana 164
... scene of Loveless's transformation in Love's Last Shift , and once again it is the fulcral point upon which the plot turns ; a narrative device which , if it is to work , must serve a purpose beyond mere narration : that of representing ...
... scene of Loveless's transformation in Love's Last Shift , and once again it is the fulcral point upon which the plot turns ; a narrative device which , if it is to work , must serve a purpose beyond mere narration : that of representing ...
Obsah
Introduction I | 1 |
Elizabeth Pepys Playgoer | 49 |
Women in the Playhouse | 65 |
Autorská práva | |
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