The Ladies: Female Patronage of Restoration Drama, 1660-1700Clarendon Press, 1989 - Počet stran: 188 This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less bawdy or "satirical" style of comedy, thus changing the course of English drama. He shows that there is no evidence of this faction, and that "sentimental" comedies really did cater to the interest of their female audience by incorporating the fashionable concern for women's rights. Drawing on many sources, including the life of Elizabeth Pepys, the book investigates just who these "ladies" were, what determined their theater-going, how often they went, what they liked and did in the theater, and the role of patronage at the court of three Restoration queens. |
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Strana 73
... seen ; being in the Pit or Box , she minds not how little she observeth in it , as how much to be observed at it.22 Being seen is the principal consideration , and it determines the eventual choice of both play and seat : the former on ...
... seen ; being in the Pit or Box , she minds not how little she observeth in it , as how much to be observed at it.22 Being seen is the principal consideration , and it determines the eventual choice of both play and seat : the former on ...
Strana 83
... seen that the boxes , although they were the centre of much of the activity of the ' time - wasters and other nuisances ' whose significance modern criticism has learned to diminish , regularly housed more modest patrons who desired ...
... seen that the boxes , although they were the centre of much of the activity of the ' time - wasters and other nuisances ' whose significance modern criticism has learned to diminish , regularly housed more modest patrons who desired ...
Strana 163
... seen , simply reiterate her moral status in the action - so that what she reveals is not only that she is Loveless's wife but that she is , after all , a virtuous woman . The real riddle for Loveless is to think of her , a woman , as ...
... seen , simply reiterate her moral status in the action - so that what she reveals is not only that she is Loveless's wife but that she is , after all , a virtuous woman . The real riddle for Loveless is to think of her , a woman , as ...
Obsah
Introduction I | 1 |
Elizabeth Pepys Playgoer | 49 |
Women in the Playhouse | 65 |
Autorská práva | |
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