Journal of American FolkloreAmerican Folk-lore Society, 1954 |
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Strana 8
... tunes - well over half its total ; while the Scottish divides almost equally between the authentic and plagal , thus showing a marked liking for a tonal center midway in the tune's range . So strong a tendency appears nowhere else in ...
... tunes - well over half its total ; while the Scottish divides almost equally between the authentic and plagal , thus showing a marked liking for a tonal center midway in the tune's range . So strong a tendency appears nowhere else in ...
Strana 9
... tunes , on the contrary , the lower fifth is considerably in the lead , though not so disproportionately as is the tonic for the authentic tunes . Next comes the tonic , among the plagal tunes ; and next , the second . It is fairly ...
... tunes , on the contrary , the lower fifth is considerably in the lead , though not so disproportionately as is the tonic for the authentic tunes . Next comes the tonic , among the plagal tunes ; and next , the second . It is fairly ...
Strana 12
... tunes is not the mid- cadence but the first accented note of the first phrase . Almost precisely half of the plagal tunes agree at this point on the tonic . The point of next greatest stability is the cadence - note of the first phrase ...
... tunes is not the mid- cadence but the first accented note of the first phrase . Almost precisely half of the plagal tunes agree at this point on the tonic . The point of next greatest stability is the cadence - note of the first phrase ...
Obsah
The Morphology of the BalladTunes | 1 |
ARTICLES | 13 |
Orrin E Klapp | 21 |
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