Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11. 10. 2013 - Počet stran: 272 First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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... nature , therein ( though he know it not ) doth according to art , though not by art : where the other , using art to show art , and not to hide art ( as in these cases he should do ) , flieth from nature , and indeed abuseth art . The ...
... nature , therein ( though he know it not ) doth according to art , though not by art : where the other , using art to show art , and not to hide art ( as in these cases he should do ) , flieth from nature , and indeed abuseth art . The ...
Strana 9
... [ Nature's ] world is brazen , the poets only deliver a golden ' ( p . 24 ) . O. B. Hardison Jr in his essay " The Two Voices of Sidney's Apology for Poetry has seen quite clearly that Sidney is committed to defending two antithetical ...
... [ Nature's ] world is brazen , the poets only deliver a golden ' ( p . 24 ) . O. B. Hardison Jr in his essay " The Two Voices of Sidney's Apology for Poetry has seen quite clearly that Sidney is committed to defending two antithetical ...
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Obsah
7 | |
Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and | 77 |
style and the character | 106 |
style and the character | 114 |
Tragic doings political order | 144 |
bombast and wonder | 168 |
style and form | 196 |
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achieve action analysis appear appropriate attempt beginning Bolingbroke calls cause character claims clear clearly close couplet critical death despite drama earth effect Elizabethan emotional England English especially essentially example experience expression fact fear feeling figure finally Gaunt give golden style Greville hand human idea imagery images imagination imitation important individual intention John kind king language least less live London Macbeth matter means metaphysical mind moral murder Mustapha nature offers once opening passage plain style play poem poetic poetry political possible present problem question reality reason reference remarks represented rhetoric Richard Richard II scene seems sense Shakespeare simply soliloquy speak speech suggests things thou thought tion traditional tragedy tragic true truth understanding University Press verse whole Winters wonder York