Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art
Routledge, 5. 11. 2013 - Počet stran: 320
In this engaging cross-disciplinary study, Timothy Murray examines the artistic struggle over traumatic fantasies of race, gender, sexuality, and power. Establishing a retrospective dialogue between past and present, stage and video, Drama Trauma links the impact of trauma on recent political projects in performance and video with the specters of difference haunting Shakespeare's plays.
The book provides close readings of cultural formations as diverse as Shakespearean drama, the Statue of Liberty, contemporary plays by women, African-American performance, and feminist interventions in video, performance and installation. The texts discussed include:
* installations by Mary Kelly and Dawn Dedeaux,
* plays by Ntozake Shange, Rochelle Owens, Adrienne Kennedy, Marsha Norman and Amiri Baraka
* performances by Robbie McCauley, Jordan, Orlan, and Carmelita Tropicana
* stage, film and video productions of King Lear, Othello, Romeo and Juliet and All's Well that Ends Well.
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Další vydání - Zobrazit všechny
aesthetic African-American All's ambivalent American anamorphosis Arlene Arlie Arlie's artistic audience Baraka's Blau camera obscura Chapter characters Chucky Chucky's Chucky's Hunch cinematic Claire Danes context critical cultural death DeDeaux Derrida Desdemona desire difference differend discourse discussion display dramatic enigmatic essay fantasy female feminist fetishism Figure film frame Freud gaze gender genre Gloria Patri haunting Herbert Blau ideology Indian Blood installation Kelly Kelly's King Lear Kristeva Lacan Laplanche Lear's Liberty Weekend libidinal Lyotard magic christian male masculine McCauley McCauley's memory Moshinsky Moshinsky's narration narrative Othello Owens patriarchal performance perspective phantasm play play's political position poststructural present psychoanalysis reading relation Renaissance representation Romeo and Juliet scene seduction sexual Shakespeare Shakespearean Shakespearean comedy Shange signifier social Soul Shadows spectators specters stage strategy structures suggests television televisual fear theatre theatrical theory tragedy tragic trauma urban warrior viewers visible vision visual woman