Ira Aldridge: The Negro TragedianRockliff, 1958 - Počet stran: 355 |
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Strana 197
... Shylock does not represent anything in himself ; he is only a necessary cog in the general layout , the same as Antonio , Bassanio , Portia , etc. Yet every exit of Shylock was an event . He did not enter into the general pattern and he ...
... Shylock does not represent anything in himself ; he is only a necessary cog in the general layout , the same as Antonio , Bassanio , Portia , etc. Yet every exit of Shylock was an event . He did not enter into the general pattern and he ...
Strana 235
... Shylock not merely as one individual — a moneylender of Venice named Shylock — but a representative of all the wandering and oppressed Jews of history . Similarly , in Othello he portrayed not just a specific Moor with a specific fate ...
... Shylock not merely as one individual — a moneylender of Venice named Shylock — but a representative of all the wandering and oppressed Jews of history . Similarly , in Othello he portrayed not just a specific Moor with a specific fate ...
Strana 319
... Shylock to crowded houses , despite greatly increased prices of tickets . Trapszo again played Iago , and Desdemona this time was the lovely Joanna German ( 1843-1900 ) , whose autographed photo was found among Amanda Aldridge's ...
... Shylock to crowded houses , despite greatly increased prices of tickets . Trapszo again played Iago , and Desdemona this time was the lovely Joanna German ( 1843-1900 ) , whose autographed photo was found among Amanda Aldridge's ...
Obsah
A52 M3 MAIN | 4 |
PAGE I | 9 |
Covent Garden Theatre | 116 |
Autorská práva | |
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