Ira Aldridge: The Negro TragedianRockliff, 1958 - Počet stran: 355 |
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Strana 68
... passion of Othello to the point where he will lose control of himself ( as here ) , and later fall into a fit , might have lost control of himself as the actor - which , of course , should never happen . On the other hand it may be , as ...
... passion of Othello to the point where he will lose control of himself ( as here ) , and later fall into a fit , might have lost control of himself as the actor - which , of course , should never happen . On the other hand it may be , as ...
Strana 217
... passion are those in which he is least effective . He can be loud enough on occasion , but he never for a moment awakens the notion that any real feeling lies beneath the external violence . Nor is he even able to sustain a strong ...
... passion are those in which he is least effective . He can be loud enough on occasion , but he never for a moment awakens the notion that any real feeling lies beneath the external violence . Nor is he even able to sustain a strong ...
Strana 282
... passion of acting . Whether the tragedian is silent , whether he speaks to himself , makes a movement , gesture or sound - every- where there is passion in its thousand tones . . . . No doubt this is a tall order , but the tragedian ...
... passion of acting . Whether the tragedian is silent , whether he speaks to himself , makes a movement , gesture or sound - every- where there is passion in its thousand tones . . . . No doubt this is a tall order , but the tragedian ...
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A52 M3 MAIN | 4 |
PAGE I | 9 |
Covent Garden Theatre | 116 |
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