Shakespeare and the Fire of LoveShepheard-Walwyn, 2004 - Počet stran: 180 Academics and lay people curious to learn more about the philosophies at the root of William Shakespeare's work will discover a new theory on his intent in this critical analysis. Taking the position that the Christian-Platonic philosophy of love is the permeating philosophy in Shakespeare's work, this analysis links the commentaries of scholar-priest Marsilio Ficino and other key Renaissance writings to specific speeches and sonnets penned by Shakespeare to support its argument. The analysis further claims that it was this pervading Christian-Platonic philosophy, originally expounded by Pythagoras, Plato, and Plotinus, that enabled Shakespeare to write with clarity about the universal themes of harmony and disharmony between nations and princes, and the internal conflicts of the human mind and soul. In addition, classical references and images identify the true Promethean fire—romantic attraction. |
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Strana 53
... represented in the Greek pantheon by Mercury and the heavenly Cupid , while Venus tends more towards the power or beauty of love . Apollo , meaning ' not many ' , is the fount of harmony . As such , he also represents the light of God ...
... represented in the Greek pantheon by Mercury and the heavenly Cupid , while Venus tends more towards the power or beauty of love . Apollo , meaning ' not many ' , is the fount of harmony . As such , he also represents the light of God ...
Strana 82
... represents the consummation of a physical marriage , so , Ficino says , the flowering of a spiritual union is also a child : Just as the human body is pregnant so the soul is pregnant , and both are stimulated to childbearing by the ...
... represents the consummation of a physical marriage , so , Ficino says , the flowering of a spiritual union is also a child : Just as the human body is pregnant so the soul is pregnant , and both are stimulated to childbearing by the ...
Strana 115
... represent the bodily parts of their masters and their reunion at the end of the play symbol- ises union within the ... represents the heavenly Venus . However , neither brother remains in his appointed sphere ; rather , as the play ...
... represent the bodily parts of their masters and their reunion at the end of the play symbol- ises union within the ... represents the heavenly Venus . However , neither brother remains in his appointed sphere ; rather , as the play ...
Obsah
Ficino and the Platonic Worlds | 1 |
The Goddess of Nature | 35 |
A Woman Movd | 41 |
Autorská práva | |
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angelic mind angelic world Antipholus Antony appearance Ariel Bacon Bassanio beauty of soul become Ben Jonson Berowne body Brutus Caesar Caliban calls cave Ceres CHAPTER Cleopatra constancy constant heart creative Cupid Cymbeline dance dark daughter death Diana disguise divine beauty divine light doth dream eyes fancy father Francis Bacon gods Hamlet harmony heaven and earth heavenly beauty heavenly Venus heavenly world Hecate Hermia Hermione higher worlds Hippolyta Hymenaei imagination Imogen Inigo Jones inspiration Jonson king Lady Lear Leontes Love's Labour's Lost lover lower Macbeth Malvolio marriage Marsilio Ficino masque material world Miranda moon murder night Oberon Orlando outward path of love Pericles Petruchio physical world Platonic worlds play Plotinus Portia Posthumus Promethean fire Prospero realised reason recognises represents Romeo Rosalind servant shadows Shakespeare sleep spark spirit symbol Tempest thee Theseus thou Titania triple goddess true twin union universal virtue vision wife Winter's Tale