King LearPenguin UK, 7. 4. 2005 - Počet stran: 368 'The most perfect specimen of the dramatic art existing in the world' Percy Bysshe Shelley |
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... Thou art the thing itself! Unaccommodated man is no more but such a poor, bare, forked animal as thou art. Off, off, you lendings! Come, unbutton here' (III.4.103–5). It is a remarkable moment, whose implications cut far deeper than ...
... Thou art the thing itself! Unaccommodated man is no more but such a poor, bare, forked animal as thou art. Off, off, you lendings! Come, unbutton here' (III.4.103–5). It is a remarkable moment, whose implications cut far deeper than ...
Strana
... Thou hast seen a farmer's dog bark at a beggar? GLOUCESTER Ay, sir. LEAR And the creature run from the cur? There thou mightst behold the great image of authority: a dog's obeyed in office. Thou rascal beadle, hold thy bloody hand. Why dost ...
... Thou hast seen a farmer's dog bark at a beggar? GLOUCESTER Ay, sir. LEAR And the creature run from the cur? There thou mightst behold the great image of authority: a dog's obeyed in office. Thou rascal beadle, hold thy bloody hand. Why dost ...
Strana
... thou whom the heavens' plagues Have humbled to all strokes. That I am wretched Makes thee the happier. Heavens deal so still! Let the superfluous and lust-dieted man That slaves your ordinance, that will not see Because he does not feel ...
... thou whom the heavens' plagues Have humbled to all strokes. That I am wretched Makes thee the happier. Heavens deal so still! Let the superfluous and lust-dieted man That slaves your ordinance, that will not see Because he does not feel ...
Strana
... thou my sometime daughter. (I.1.116–20) What is more, after the heart-stopping reconciliation of 'this child-changèd father' (IV.7.17) with Cordelia, whom he begs to 'forget and forgive' (83–4), Lear's attitude to his dearest daughter ...
... thou my sometime daughter. (I.1.116–20) What is more, after the heart-stopping reconciliation of 'this child-changèd father' (IV.7.17) with Cordelia, whom he begs to 'forget and forgive' (83–4), Lear's attitude to his dearest daughter ...
Strana
... thou wretch That hast within thee undivulgèd crimes Unwhipped of justice. Hide thee, thou bloody hand, Thou perjured, and thou simular of virtue That art incestuous. Caitiff, to pieces shake, That under covert and convenient seeming Has ...
... thou wretch That hast within thee undivulgèd crimes Unwhipped of justice. Hide thee, thou bloody hand, Thou perjured, and thou simular of virtue That art incestuous. Caitiff, to pieces shake, That under covert and convenient seeming Has ...
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actors ALBANY arms bastard beggar Burgundy Cordelia Cornwall daughters death dost Dover Dr Johnson Duke Duke of Albany Duke of Cornwall Edmund Elizabethan Enter Edgar Enter Lear Exeunt Exit eyes F reading father fear feel Folio follow Fool Fool’s fortune foul fiend France GENTLEMAN give Gloucester’s gods Gonerill Gonerill and Regan grace Harsnet’s hast hath heart Henry VI honour i’the justice KENT Kent’s King Lear kingdom knave knights Lear’s letter look lord madam man’s matter means nature noble nuncle o’er o’the omitted Oswald perhaps poor Poor Tom Pray presumably prose in Q Q and F Q corrected Quarto Regan Richard III scene seems sense servant Shakespeare Shakespeare’s plays sister speak speech stand storm sword tears theatrical thee There’s thine things Titus Andronicus Tom’s tragedy trumpet villain Who’s Winter’s Tale words wretches