The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan TheatrePart of a larger project to examine the Elizabethan politics of representation, Louis Montrose's The Purpose of Playing refigures the social and cultural context within which Elizabethan drama was created. Montrose first locates the public and professional theater within the ideological and material framework of Elizabethan culture. He considers the role of the professional theater and theatricality in the cultural transformation that was concurrent with religious and socio-political change, and then concentrates upon the formal means by which Shakespeare's Elizabethan plays called into question the absolutist assertions of the Elizabethan state. Drawing dramatic examples from the genres of tragedy and history, Montrose finally focuses his cultural-historical perspective on A Midsummer Night's Dream. The Purpose of Playing elegantly demonstrates how language and literary imagination shape cultural value, belief, and understanding; social distinction and interaction; and political control and contestation. |
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Strana
Part One of The Purpose of Playing presents an extended discussion of the place
of the public and professional theatre within the ideological and material
frameworks of Elizabethan culture and society; my emphasis is upon the theatre
of ...
Part One of The Purpose of Playing presents an extended discussion of the place
of the public and professional theatre within the ideological and material
frameworks of Elizabethan culture and society; my emphasis is upon the theatre
of ...
Strana 5
He writes that History as material necessity — "Althusser's 'absent cause,' La-
can's 'Real' — is not a text, for it is fundamentally non-narrative and
nonrepresentational; what can be added, however, is the proviso that history is
inaccessible to ...
He writes that History as material necessity — "Althusser's 'absent cause,' La-
can's 'Real' — is not a text, for it is fundamentally non-narrative and
nonrepresentational; what can be added, however, is the proviso that history is
inaccessible to ...
Strana 6
By the historicity of texts, I mean to suggest the historical specificity, the social
and material embedding, of all modes of writing — including not only the texts
that critics study but also the texts in which we study them; thus, I also mean to
suggest ...
By the historicity of texts, I mean to suggest the historical specificity, the social
and material embedding, of all modes of writing — including not only the texts
that critics study but also the texts in which we study them; thus, I also mean to
suggest ...
Strana 142
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Strana 208
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Obsah
The Reformation of Playing | 19 |
A Theatre of Changes | 30 |
Anatomies of Playing | 41 |
The Theatre the City and the Crowns | 53 |
From the Stage to the State | 66 |
The Power of Personation | 76 |
The CrossPurposes of Playing | 99 |
THE SHAPING FANTASIES OF A MIDSUMMER NIGHTS DREAM | 107 |
The Discord of This Concord | 109 |
Stories of the Night | 124 |
The Imperial Votaress | 151 |
Bottoms Dream | 179 |
A Kingdom of Shadows | 206 |
| 213 | |
Běžně se vyskytující výrazy a sousloví
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Bibliografické údaje
| Titul | The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre, Louis Adrian Montrose |
| Autor | Louis Montrose |
| Vydavatel | University of Chicago Press, 1996 |
| ISBN | 0226534839, 9780226534831 |
| Délka | Počet stran: 227 |
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