The Actor and His TextHarrap, 1987 - Počet stran: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Strana 78
... Hamlet , I. 2 . Indeed there are wonderful examples all the way through Hamlet , with Claudius , Gertrude and Ophelia , and they are particularly telling as the language in the play is very free and unbound - two of Hamlet's main ...
... Hamlet , I. 2 . Indeed there are wonderful examples all the way through Hamlet , with Claudius , Gertrude and Ophelia , and they are particularly telling as the language in the play is very free and unbound - two of Hamlet's main ...
Strana 177
... Hamlet : Hamlet : III.1 . ' To be , or not to be . . . ' Ophelia in the same scene - her soliloquy . Player King : III.2 . Claudius ' soliloquy in III.3 . - - There is something very complete about Ophelia's speech , like a poem on its ...
... Hamlet : Hamlet : III.1 . ' To be , or not to be . . . ' Ophelia in the same scene - her soliloquy . Player King : III.2 . Claudius ' soliloquy in III.3 . - - There is something very complete about Ophelia's speech , like a poem on its ...
Strana 222
... Hamlet and Gertrude in Hamlet ( Act III , Scene 4 ) , it is the debate between them that is important . In story terms the scene starts with Polonius hiding behind the arras , and ends with his dead body being lugged off by Hamlet with ...
... Hamlet and Gertrude in Hamlet ( Act III , Scene 4 ) , it is the debate between them that is important . In story terms the scene starts with Polonius hiding behind the arras , and ends with his dead body being lugged off by Hamlet with ...
Obsah
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Autorská práva | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing