The Actor and His TextHarrap, 1987 - Počet stran: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Strana 47
... character exists from what is spoken . In all of them there is a specific choice of vocabulary , and we cannot ... character , but what he feels and what he says do not necessarily coincide , and we understand him by what he chooses not ...
... character exists from what is spoken . In all of them there is a specific choice of vocabulary , and we cannot ... character , but what he feels and what he says do not necessarily coincide , and we understand him by what he chooses not ...
Strana 114
... characters live where they find their images . Images are very often extravagant , and we have to find our way in . The images are never just descriptive , they always arise out of a need within the character : we have to observe the ...
... characters live where they find their images . Images are very often extravagant , and we have to find our way in . The images are never just descriptive , they always arise out of a need within the character : we have to observe the ...
Strana 198
... character ( s ) as you feel right . Move near who you want to be near to . You can move whoever is speaking . This is excellent in that it pin - points the change of thoughts , and how you feel in relation to each character and each ...
... character ( s ) as you feel right . Move near who you want to be near to . You can move whoever is speaking . This is excellent in that it pin - points the change of thoughts , and how you feel in relation to each character and each ...
Obsah
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Autorská práva | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing