The Actor and His TextHarrap, 1987 - Počet stran: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Strana 118
... helps us to find the structure of a speech , how the great speeches work things right from the beginning , and from that exploration a path of action is found . 9 In the writing , there are many patterns and schemes of words . They are ...
... helps us to find the structure of a speech , how the great speeches work things right from the beginning , and from that exploration a path of action is found . 9 In the writing , there are many patterns and schemes of words . They are ...
Strana 167
... help the actor to achieve : the common background of the characters out of which the ideas spring . It furthers the ... helps in rehearsals , even when group work is not being done . First , you need to get really relaxed . It is good ...
... help the actor to achieve : the common background of the characters out of which the ideas spring . It furthers the ... helps in rehearsals , even when group work is not being done . First , you need to get really relaxed . It is good ...
Strana 200
... helps the company to become part of the central thought of the play , and the predicaments posed so that their contribution is richer ; it is also tremendously useful for the actors playing those scenes to have resistance set up for ...
... helps the company to become part of the central thought of the play , and the predicaments posed so that their contribution is richer ; it is also tremendously useful for the actors playing those scenes to have resistance set up for ...
Obsah
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Autorská práva | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing