The Actor and His TextHarrap, 1987 - Počet stran: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
Vyhledávání v knize
Výsledky 1-3 z 34
Strana 16
... ourselves - our self - image- and with the image of ourselves we wish to present . It is therefore bound absolutely to our own self - confidence , and so is particularly sensitive to both criticism and to feelings of unease . This is ...
... ourselves - our self - image- and with the image of ourselves we wish to present . It is therefore bound absolutely to our own self - confidence , and so is particularly sensitive to both criticism and to feelings of unease . This is ...
Strana 113
... ourselves . What is perhaps more interesting is the fact that we very often dislike people because we recognize in them the qualities we dislike in ourselves : it takes one to know one we say . In a sense this is by the way , but it ...
... ourselves . What is perhaps more interesting is the fact that we very often dislike people because we recognize in them the qualities we dislike in ourselves : it takes one to know one we say . In a sense this is by the way , but it ...
Strana 254
... ourselves as we really are . Our minds are nothing but this knowledge of ourselves ; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men . In the rage of that creation he is as ruthless as the ...
... ourselves as we really are . Our minds are nothing but this knowledge of ourselves ; and he who adds a jot to such knowledge creates new mind as surely as any woman creates new men . In the rage of that creation he is as ruthless as the ...
Obsah
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Autorská práva | |
Další části 8 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing