The Actor and His TextHarrap, 1987 - Počet stran: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Výsledky 1-3 z 45
Strana 54
... short - long rhythm . And this equals 10 syllables . So a regular line in this case the first line of the Prologue from Romeo and Juliet works like this : --- Two households , both alike in dignity . . . If you read this one line aloud ...
... short - long rhythm . And this equals 10 syllables . So a regular line in this case the first line of the Prologue from Romeo and Juliet works like this : --- Two households , both alike in dignity . . . If you read this one line aloud ...
Strana 95
... short passages , one from L'Allegro and one from Il Penseroso . In each case there are four beats to the line , and the syllables in both vary between seven and eight . But notice how short and light the first passage is in comparison ...
... short passages , one from L'Allegro and one from Il Penseroso . In each case there are four beats to the line , and the syllables in both vary between seven and eight . But notice how short and light the first passage is in comparison ...
Strana 99
... short vowel , with a devoiced ' k ' at the end , but open so it has possibilities of length . ' he ' - long vowel in a stressed position , open - ended , so you can sit on it . ' met ' short . End of line movement quick . - ' mad ' - a ...
... short vowel , with a devoiced ' k ' at the end , but open so it has possibilities of length . ' he ' - long vowel in a stressed position , open - ended , so you can sit on it . ' met ' short . End of line movement quick . - ' mad ' - a ...
Obsah
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Autorská práva | |
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