The Actor and His TextHarrap, 1987 - Počet stran: 285 This book sets out to apply the methods of voice production directly and practically to the speaking of text. Specifically, it addresses the problem of how to infuse life and meaning into words that are first encountered on the printed page. |
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Strana 24
... simply an awareness that the words are them- selves a movement — and this is quite subtle . It would seem more appropriate to express large emotions through dance and song than through the words and inflections that we use every day ...
... simply an awareness that the words are them- selves a movement — and this is quite subtle . It would seem more appropriate to express large emotions through dance and song than through the words and inflections that we use every day ...
Strana 32
... simply do not feel comfortable with it . This can be true of those with a good deal of acting experience , as well as those just starting out in the theatre , though obviously at a different level . I would put the reasons for this as ...
... simply do not feel comfortable with it . This can be true of those with a good deal of acting experience , as well as those just starting out in the theatre , though obviously at a different level . I would put the reasons for this as ...
Strana 164
... simply by moving in between . Maybe they get together triumphantly at the end — just see how it works . While you do this , keep repeating one of the sets of words , whichever you choose . This is a very useful series of exercises . I ...
... simply by moving in between . Maybe they get together triumphantly at the end — just see how it works . While you do this , keep repeating one of the sets of words , whichever you choose . This is a very useful series of exercises . I ...
Obsah
Acknowledgments | 7 |
Attitudes to Voice and Text | 13 |
Shakespeare | 40 |
Autorská práva | |
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actor antithesis Antony Antony and Cleopatra audience aware Barnardo beat become beginning breath caesura character consonants Coriolanus Delroy dialogue Dingo doth emotional energy exercises eyes feel give Hamlet happens hath hear heightened helps Hermia Iago iambic pentameter imagery images important Karn keep King King Lear language Lear Leontes listener look Love's Labour's Lost Macbeth meaning mememe metre Midsummer-Night's Dream mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible precise reason rehearsal rhyme rhythm Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress syllables talking texture thee Theseus thing thou Troilus Troilus and Cressida verse voice vowels weight Winter's Tale words writing