Verdi in the Age of Italian Romanticism

Přední strana obálky
CUP Archive, 23. 4. 1981 - Počet stran: 736
Professor Kimbell's classic study illuminates the first fifteen years of Verdi's composing career, the era that culminated in his trio of masterpieces, Rigoletto, Il Trovatore and La Traviata. Verdi had become an acknowledged master of the peculiar brand of Romanticism that flourished in Italy in the 1830s and 40s; this background is examined in its political, social and literary light, and his consequent transformation of Italian operatic conventions is analysed. The four parts of Professor Kimbell's book range over biographical, documentary, literary and close-analytical ground. Attention is given to individual operas in order to show how Verdi assimilated and developed the Romantic tradition in his work.

Vyhledávání v knize

Obsah

Verdis Italy
3
Theatrical censorship
23
The operatic experience
33
Dramatic principles and musical form in early ottocento opera
62
A documentary history of the early operas
89
Launching a career
91
The genesis of an opera Ernani
113
Two overcrowded years
137
The early galley operas Ernani to Attila
346
Macbeth and its satellites
363
Verdi à la parisienne Jérusalem and La Battaglia di
385
Luisa Miller and Stiffelio
400
The popular trilogy Rigoletto Il Trovatore La Traviata
418
Nabucco a risorgimento opera
445
Verdi and French Romanticism Ernani
460
Byronismo I Due Foscari and Il Corsaro
485

Verdi the idealist the Florence Macbeth
169
Opera as a business
190
Collaboration with Cammarano
220
Bouts with the censor
253
Giuseppinas operas Il Trovatore and La Traviata
280
The development of Verdis musical language
305
The first operas Oberto and Un Giorno di Regno
307
Italian grand opera Nabucco and I Lombardi alla Prima Crociata
326
The impact of Shakespeare the Florence Macbeth
516
La Battaglia di Legnano the opera of the revolution
561
Essays with Schiller
575
The originality of Rigoletto
623
Verdi and realism La Traviata
642
Notes
671
Bibliography
692
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