All's Well that Ends WellClarendon Press, 1993 - Počet stran: 245 All's Well that Ends Well receives, in this new edition, the full reconsideration for which it is overdue. After a long theatrical and critical history marked by avoidance and simplification, the play's dislocations of desire and clashing ideologies of class and gender are made newly accessible to readers, performers, and audiences. All's Well that Ends Well found little favor in the infrequent productions of earlier centuries, and was drastically reshaped by Garrick toward farce and by Kemble toward purity and pathos. But artists of recent decades such as Guthrie, Moshinsky, and Nunn have used the very discords of style and genre once seen as defects as sources of theatrical power and complexity, just as critics from various perspectives--feminist, sociological, generic, psychological--have found new value and pertinence in a play that is itself a deconstructed fairy tale. Susan Snyder's Introduction makes a distinguished contribution to criticism of the play, and the edition, offering freshly considered text, is fully and helpfully annotated. |
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Výsledky 1-3 z 41
Strana 102
... speak it . Only sin And hellish obstinacy tie thy tongue , 171 loneliness ] THEOBALD ; louelinesse F th ' FI both ... speak it Helen's cheeks confess her love through blushes and her eyes speak it in their kind , their natural language ...
... speak it . Only sin And hellish obstinacy tie thy tongue , 171 loneliness ] THEOBALD ; louelinesse F th ' FI both ... speak it Helen's cheeks confess her love through blushes and her eyes speak it in their kind , their natural language ...
Strana 117
... speak : ] CAPELL ( ~ ; ) ; speak F 173-4 in thee .. weak not ' speak his sound ' , but a chiastic appositional structure : in thee within an organ weak , some blessed spirit doth speak = His powerful sound 175-6 And what ... way Against ...
... speak : ] CAPELL ( ~ ; ) ; speak F 173-4 in thee .. weak not ' speak his sound ' , but a chiastic appositional structure : in thee within an organ weak , some blessed spirit doth speak = His powerful sound 175-6 And what ... way Against ...
Strana 211
... speak . KING But wilt thou not speak all thou know'st ? PAROLES Yes , so please your majesty . I did go between them as I said , but more than that he loved her , for indeed he was mad for her , and talked of Satan and of limbo and of ...
... speak . KING But wilt thou not speak all thou know'st ? PAROLES Yes , so please your majesty . I did go between them as I said , but more than that he loved her , for indeed he was mad for her , and talked of Satan and of limbo and of ...
Obsah
Introduction | 1 |
The Mingled Yarn | 8 |
Alls Well that Ends Well as a Problem Play | 16 |
Autorská práva | |
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Act 3 Scene Alice Walker All's bed-trick Beltramo Bertram Bowers CAPELL character CLOWN Comedies Compositor conj Count Count of Roussillon COUNTESS court cure daughter death Diana DIANA KING drum Duke Duke of Florence editors Edward de Souza emendation Ends Enter Helen entrance direction Exeunt Exit farewell Florence Florentine fool Foul Papers French lords gentleman gentlewoman Giletta give HANMER hast hath hear honour Hunter husband i'th King King's knave lady LAFEU letter Love's Labour's Won madam maid marriage marry meaning Measure for Measure mother Narbonne noble Oxford Paroles perhaps phrase pray Problem Comedies prose F proverb reading ring Roussillon ROWE SECOND LORD sense sexual Shake Shakespeare SOLDIER Sonnets speak speech prefixes stage directions Stratford-upon-Avon suggests thee THEOBALD thine things Thirlby thou Tilley tion Troilus unto virginity vols WIDOW wife woman word young ΙΟ
Odkazy na tuto knihu
An Introduction to Literature, Criticism and Theory Andrew Bennett,Nicholas Royle Náhled není k dispozici. - 2004 |